We started gearing our content more to what makes us laugh and stories we wanted to tell, and we had to decide,… — Mitchell Hurwitz Copy Share Image
We will be looking at things like the confluence of a scene, and we still have all these creative decisions to make.… — Mitchell Hurwitz Copy Share Image
Something about not waiting for the laugh of a laugh track allows you to take lines that otherwise might be seen as… — Mitchell Hurwitz Copy Share Image
As somebody who wanted to be creative, growing up, I remember always thinking that the thing I had going against me was… — Mitchell Hurwitz Copy Share Image
My knee-jerk is that it is comedy and, if you watch them all back-to-back, you will gain something and you will lose… — Mitchell Hurwitz Copy Share Image
When you don't have a laugh track, you can make the clothes funny. We can make a sign funny. We can make… — Mitchell Hurwitz Copy Share Image
One of the best ways into the business is to get a job with a production, which you can do by cold-calling or by… — Mitchell Hurwitz Copy Share Image
For the most part you are dealing with jealousy, you are dealing with love, you're dealing with hatred, you are dealing with revenge and… — Mitchell Hurwitz Copy Share Image
I joked recently that I thought 30 seconds a day for three years would be the best way to enjoy it, and I'm going… — Mitchell Hurwitz Copy Share Image
What you'll gain is the macro story. You'll get a good command of that. And what you might lose is some of the fun… — Mitchell Hurwitz Copy Share Image
I always liked magic. I was always embarrassed by liking magic because I liked the fact that they're just lying. — Mitchell Hurwitz Copy Share Image
The revolution is here. It's established that Netflix is a place where you can get premium content. It's a whole new world. It's very… — Mitchell Hurwitz Copy Share Image
We started writing the shows in order, and then very quickly had to jump to, "Oh, we got Tony Hale today and Jessica [Walter."… — Mitchell Hurwitz Copy Share Image
There's real peril in trying to repeat yourself, and apply rules that applied to something else to a new project. — Mitchell Hurwitz Copy Share Image
The TV industry works in this crazy system where everybody's trying to get the same actors at the same time. — Mitchell Hurwitz Copy Share Image
When I was on 'The Golden Girls,' we'd have eight scenes per show. And when 'Seinfeld' came along, they went to, like, 30 scenes… — Mitchell Hurwitz Copy Share Image
When we were making 'Arrested Development,' it was the hardest thing I'd ever done. You know, nobody was watching. We weren't getting feedback. The… — Mitchell Hurwitz Copy Share Image
One of the challenges of the show has always been trying to be surprising, and that was easy to do when nobody was watching… — Mitchell Hurwitz Copy Share Image
It's very easy I think when you're a creative person to wait for the right thing and to start getting self-conscious about how you… — Mitchell Hurwitz Copy Share Image
The people that always impress me are the ones that are curious about what they're going to do next. — Mitchell Hurwitz Copy Share Image
If you've got a restaurant, you definitely want the line to be out the door the first night, but you're more interested in people… — Mitchell Hurwitz Copy Share Image
