One of the challenges of the show has always been trying to be surprising, and that was easy to do when nobody… — Mitchell Hurwitz Copy Share Image
The people that always impress me are the ones that are curious about what they're going to do next. — Mitchell Hurwitz Copy Share Image
If you've got a restaurant, you definitely want the line to be out the door the first night, but you're more interested… — Mitchell Hurwitz Copy Share Image
People have outs for numbers of episodes, usually, written into their contract. Some studios will say, "We're going to let Julia Louis-Dreyfus… — Mitchell Hurwitz Copy Share Image
At the time, I used to say, "We should market this like Everybody Loves Raymond. It's just a guy dealing with his… — Mitchell Hurwitz Copy Share Image
I will tell you that we're all human beings, and we all care about what people think of us. But in general,… — Mitchell Hurwitz Copy Share Image
Shows don't reunite because television doesn't work that way. There's no profit model and people go off to do other work. — Mitchell Hurwitz Copy Share Image
I think of there being two conditions that creative people go through. I think it's fear and curiosity. — Mitchell Hurwitz Copy Share Image
I think it actually makes more sense for a new audience than the old show did because we're focusing on one character… — Mitchell Hurwitz Copy Share Image
I could vomit, right this moment. I literally could vomit on cue. Yes. Here's the truth of that. We didn't have a… — Mitchell Hurwitz Copy Share Image
If you've never watched people watch television, I don't recommend it. It's not an exciting thing to do. — Mitchell Hurwitz Copy Share Image
One of the things I liked about bringing this show back was that it gives people something to look forward to. In… — Mitchell Hurwitz Copy Share Image
You know, 'The Golden Girls' was a very unusual show to start on. I was young, and it was a show about… — Mitchell Hurwitz Copy Share Image
Thanks to the critics and thanks to the Emmys, we got all sorts of great reviews and notices and awards, at the… — Mitchell Hurwitz Copy Share Image
One of the best ways into the business is to get a job with a production, which you can do by cold-calling or by… — Mitchell Hurwitz Copy Share Image
For the most part you are dealing with jealousy, you are dealing with love, you're dealing with hatred, you are dealing with revenge and… — Mitchell Hurwitz Copy Share Image
I joked recently that I thought 30 seconds a day for three years would be the best way to enjoy it, and I'm going… — Mitchell Hurwitz Copy Share Image
What you'll gain is the macro story. You'll get a good command of that. And what you might lose is some of the fun… — Mitchell Hurwitz Copy Share Image
I always liked magic. I was always embarrassed by liking magic because I liked the fact that they're just lying. — Mitchell Hurwitz Copy Share Image
The revolution is here. It's established that Netflix is a place where you can get premium content. It's a whole new world. It's very… — Mitchell Hurwitz Copy Share Image
We started writing the shows in order, and then very quickly had to jump to, "Oh, we got Tony Hale today and Jessica [Walter."… — Mitchell Hurwitz Copy Share Image
There's real peril in trying to repeat yourself, and apply rules that applied to something else to a new project. — Mitchell Hurwitz Copy Share Image
The TV industry works in this crazy system where everybody's trying to get the same actors at the same time. — Mitchell Hurwitz Copy Share Image
When I was on 'The Golden Girls,' we'd have eight scenes per show. And when 'Seinfeld' came along, they went to, like, 30 scenes… — Mitchell Hurwitz Copy Share Image
When we were making 'Arrested Development,' it was the hardest thing I'd ever done. You know, nobody was watching. We weren't getting feedback. The… — Mitchell Hurwitz Copy Share Image
One of the challenges of the show has always been trying to be surprising, and that was easy to do when nobody was watching… — Mitchell Hurwitz Copy Share Image
