My nominee for Best Picture of the year - maybe the best picture ever, because it's essentially made up of and is… — Jerry Saltz Copy Share Image
Chris Ofili's suave, stippled, visually tricked-out paintings of the nineties, with their allover fields of shimmering dots and clumps of dung, are… — Jerry Saltz Copy Share Image
Kinkade's paintings are worthless schmaltz, and the lamestream media that love him are wrong. However, I'd love to see a museum mount… — Jerry Saltz Copy Share Image
There's something pleasing about large, well-lit spaces. I love that dealers are willing to take massive chances in order to give this… — Jerry Saltz Copy Share Image
Those who love him love that he sells the most art; they take it as a point of faith that this proves… — Jerry Saltz Copy Share Image
I also take pleasure in the so-called negative power in Grotjahn's work. That is, I love his paintings for what they are… — Jerry Saltz Copy Share Image
I love art dealers. In some ways, they're my favorite people in the art world. Really. I love that they put their… — Jerry Saltz Copy Share Image
I love Rauschenberg. I love that he created a turning point in visual history, that he redefined the idea of beauty, that… — Jerry Saltz Copy Share Image
There's one Baldessari work I genuinely love and would like to own, maybe because of my Midwestern roots and love of driving… — Jerry Saltz Copy Share Image
Anyone who relishes art should love the extraordinary diversity and psychic magic of our art galleries. There's likely more combined square footage… — Jerry Saltz Copy Share Image
Imagine it's 1981. You're an artist, in love with art, smitten with art history. You're also a woman, with almost no mentors… — Jerry Saltz Copy Share Image
'Summer of Love: Art of the Psychedelic Era,' the Whitney Museum's 40th-anniversary trip down counterculture memory lane, provides moments of buzzy fun,… — Jerry Saltz Copy Share Image
One argument goes that recessions are good for female artists because when money flies out the window, women are allowed in the house. The… — Jerry Saltz Copy Share Image
Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles him. Me… — Jerry Saltz Copy Share Image
The German ueber-photographer Andreas Gursky was the perfect pre-9/11 artist. — Jerry Saltz Copy Share Image
The debut show, “Second Lives: Remixing the Ordinary,” is supposed to be about how artists reuse humble or unusual materials. There’s good work here,… — Jerry Saltz Copy Share Image
While the space for artists and curators has increased enormously, maybe, just maybe, that's left room for too many people calling themselves artists and… — Jerry Saltz Copy Share Image
Those who love him love that he sells the most art; they take it as a point of faith that this proves Kinkade is… — Jerry Saltz Copy Share Image
'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and… — Jerry Saltz Copy Share Image
I love art dealers. In some ways, they're my favorite people in the art world. Really. I love that they put their money where… — Jerry Saltz Copy Share Image
My nominee for Best Picture of the year - maybe the best picture ever, because it's essentially made up of and is an ecstatic… — Jerry Saltz Copy Share Image
Many things happened in the sixties, but the period is no more significant, better, or more 'political' than today. It's time to turn the… — Jerry Saltz Copy Share Image
When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and reflect the… — Jerry Saltz Copy Share Image
Few contemporary artists mined the space between the ordinary and the strange better than Orozco did. — Jerry Saltz Copy Share Image
