The Metropolitan Museum of Art is unsurpassed at presenting more than 50 centuries of work. I go there constantly, seeing things over… — Jerry Saltz Copy Share Image
The Met is not only the finest encyclopedic museum of art in the United States; it is arguably the finest anywhere. — Jerry Saltz Copy Share Image
A sad fact of life lately at the Museum of Modern Art is that when it comes to group shows of contemporary… — Jerry Saltz Copy Share Image
A saboteur in the house of art and a comedienne in the house of art theory, Lawler has spent three decades documenting… — Jerry Saltz Copy Share Image
I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's… — Jerry Saltz Copy Share Image
Don’t go to a museum with a destination. Museums are wormholes to other worlds. There are ecstasy machines. Follow your eyes to… — Jerry Saltz Copy Share Image
Mission accomplished. The Museum of Modern Art's wide-open, tall-ceilinged, super-reinforced second floor was for all intents and purposes built to accommodate monumental… — Jerry Saltz Copy Share Image
It took the Metropolitan Museum of Art nearly 50 years to wake up to Pablo Picasso. It didn't own one of his… — Jerry Saltz Copy Share Image
Many say an art dealer running a museum is a 'conflict of interest.' But maybe the art world has lived an artificial… — Jerry Saltz Copy Share Image
As I went through 'This Progress,' one of two performance pieces by Tino Sehgal that transform Frank Lloyd Wright's emptied-out spiral into… — Jerry Saltz Copy Share Image
One argument goes that recessions are good for female artists because when money flies out the window, women are allowed in the house. The… — Jerry Saltz Copy Share Image
Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles him. Me… — Jerry Saltz Copy Share Image
The German ueber-photographer Andreas Gursky was the perfect pre-9/11 artist. — Jerry Saltz Copy Share Image
The debut show, “Second Lives: Remixing the Ordinary,” is supposed to be about how artists reuse humble or unusual materials. There’s good work here,… — Jerry Saltz Copy Share Image
While the space for artists and curators has increased enormously, maybe, just maybe, that's left room for too many people calling themselves artists and… — Jerry Saltz Copy Share Image
Those who love him love that he sells the most art; they take it as a point of faith that this proves Kinkade is… — Jerry Saltz Copy Share Image
'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and… — Jerry Saltz Copy Share Image
I love art dealers. In some ways, they're my favorite people in the art world. Really. I love that they put their money where… — Jerry Saltz Copy Share Image
My nominee for Best Picture of the year - maybe the best picture ever, because it's essentially made up of and is an ecstatic… — Jerry Saltz Copy Share Image
Many things happened in the sixties, but the period is no more significant, better, or more 'political' than today. It's time to turn the… — Jerry Saltz Copy Share Image
When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and reflect the… — Jerry Saltz Copy Share Image
Few contemporary artists mined the space between the ordinary and the strange better than Orozco did. — Jerry Saltz Copy Share Image
