Too many younger artists, critics, and curators are fetishizing the sixties, transforming the period into a deformed cult, a fantasy religion, a… — Jerry Saltz Copy Share Image
I see around 100 shows a month, going from Niketown-size palaces where you feel like yelling, to storefronts in Bushwick. Each has… — Jerry Saltz Copy Share Image
The New York art world readily proves people wrong. Just when folks say that things stink and flibbertigibbet critics wish the worst… — Jerry Saltz Copy Share Image
The reason I love blogs so much right now is that I am seeing more critical voices appear, and that's kind of… — Jerry Saltz Copy Share Image
Any negative review you write, they'll say, "Oh, you're being so mean." I think the problem with a lot of criticism is… — Jerry Saltz Copy Share Image
More and more in the art world are becoming moralistic, telling artists and critics what they should and shouldn't write, do, or… — Jerry Saltz Copy Share Image
Any critic will tell you that there are a few dealers where you get a little bit scared to go into their… — Jerry Saltz Copy Share Image
Being critical of art is a way of showing art respect. No sports writer would say, "Well the Yankees had a great… — Jerry Saltz Copy Share Image
I've always said that an art critic can put aside politics around art. — Jerry Saltz Copy Share Image
My job as art critic is to watch artists dance naked in public, and then I will, in turn, dance naked critically… — Jerry Saltz Copy Share Image
I don't often go to curator or artist walk-throughs of exhibitions. For a critic, it feels like cheating. I want to see… — Jerry Saltz Copy Share Image
One argument goes that recessions are good for female artists because when money flies out the window, women are allowed in the house. The… — Jerry Saltz Copy Share Image
Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles him. Me… — Jerry Saltz Copy Share Image
The German ueber-photographer Andreas Gursky was the perfect pre-9/11 artist. — Jerry Saltz Copy Share Image
The debut show, “Second Lives: Remixing the Ordinary,” is supposed to be about how artists reuse humble or unusual materials. There’s good work here,… — Jerry Saltz Copy Share Image
While the space for artists and curators has increased enormously, maybe, just maybe, that's left room for too many people calling themselves artists and… — Jerry Saltz Copy Share Image
Those who love him love that he sells the most art; they take it as a point of faith that this proves Kinkade is… — Jerry Saltz Copy Share Image
'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and… — Jerry Saltz Copy Share Image
I love art dealers. In some ways, they're my favorite people in the art world. Really. I love that they put their money where… — Jerry Saltz Copy Share Image
My nominee for Best Picture of the year - maybe the best picture ever, because it's essentially made up of and is an ecstatic… — Jerry Saltz Copy Share Image
Many things happened in the sixties, but the period is no more significant, better, or more 'political' than today. It's time to turn the… — Jerry Saltz Copy Share Image
When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and reflect the… — Jerry Saltz Copy Share Image
Few contemporary artists mined the space between the ordinary and the strange better than Orozco did. — Jerry Saltz Copy Share Image
