'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was… — Jerry Saltz Copy Share Image
Many things happened in the sixties, but the period is no more significant, better, or more 'political' than today. It's time to… — Jerry Saltz Copy Share Image
When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and… — Jerry Saltz Copy Share Image
When the purse strings tighten up at museums, the institutions usually cut back and cancel shows. That's exactly the wrong reaction. In… — Jerry Saltz Copy Share Image
In the seventies, a group of American artists seized the means not of production but of reproduction. They tore apart visual culture… — Jerry Saltz Copy Share Image
It took me twenty years to get Steven Parrino's work. From the time I first saw his art, in the mid-eighties, I… — Jerry Saltz Copy Share Image
Living and working for four decades in a Bologna apartment and studio he shared with his unwed sisters, Morandi painted little but… — Jerry Saltz Copy Share Image
I wish I could write about shows outside New York. I often feel like the last person to know anything, because I… — Jerry Saltz Copy Share Image
While it may be a really trying, weird time for the art world, I see good work all the time. If you… — Jerry Saltz Copy Share Image
The last time money left the art world, intrepid types maxed out their credit cards and opened galleries, and a few of… — Jerry Saltz Copy Share Image
'Summer of Love: Art of the Psychedelic Era,' the Whitney Museum's 40th-anniversary trip down counterculture memory lane, provides moments of buzzy fun,… — Jerry Saltz Copy Share Image
Wolfgang Tillman's stunning large-scale pictures, being shown for the first time, were so offhand I failed to see them as art. — Jerry Saltz Copy Share Image
Summer is a great time to visit art museums, which offer the refreshing rinse of swimming pools - only instead of cool… — Jerry Saltz Copy Share Image
In 1998, Artnet was the site that convinced me that if my writing didn't exist online, it didn't exist at all. It… — Jerry Saltz Copy Share Image
I just want to say one thing about the '70s. Enough with this purer, "It was a better time," business. Every time… — Jerry Saltz Copy Share Image
Every artist will one day face the moment when he or she is doing what he or she does after the style… — Jerry Saltz Copy Share Image
Galleries needn't be exactly like White Columns purely because times are bad again. But the idea of this special space could -… — Jerry Saltz Copy Share Image
One argument goes that recessions are good for female artists because when money flies out the window, women are allowed in the house. The… — Jerry Saltz Copy Share Image
Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles him. Me… — Jerry Saltz Copy Share Image
The German ueber-photographer Andreas Gursky was the perfect pre-9/11 artist. — Jerry Saltz Copy Share Image
The debut show, “Second Lives: Remixing the Ordinary,” is supposed to be about how artists reuse humble or unusual materials. There’s good work here,… — Jerry Saltz Copy Share Image
While the space for artists and curators has increased enormously, maybe, just maybe, that's left room for too many people calling themselves artists and… — Jerry Saltz Copy Share Image
Those who love him love that he sells the most art; they take it as a point of faith that this proves Kinkade is… — Jerry Saltz Copy Share Image
'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and… — Jerry Saltz Copy Share Image
I love art dealers. In some ways, they're my favorite people in the art world. Really. I love that they put their money where… — Jerry Saltz Copy Share Image
My nominee for Best Picture of the year - maybe the best picture ever, because it's essentially made up of and is an ecstatic… — Jerry Saltz Copy Share Image
Many things happened in the sixties, but the period is no more significant, better, or more 'political' than today. It's time to turn the… — Jerry Saltz Copy Share Image
When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and reflect the… — Jerry Saltz Copy Share Image
Few contemporary artists mined the space between the ordinary and the strange better than Orozco did. — Jerry Saltz Copy Share Image
