Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles… — Jerry Saltz Copy Share Image
'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was… — Jerry Saltz Copy Share Image
I love art dealers. In some ways, they're my favorite people in the art world. Really. I love that they put their… — Jerry Saltz Copy Share Image
Of course art world ethics are important. But museums are no purer than any other institution or business. Academics aren't necessarily more… — Jerry Saltz Copy Share Image
Make an enemy of jealousy and envy. As fast and soon as you can…. The art world is high school with money. — Jerry Saltz Copy Share Image
Abstract Expressionism - the first American movement to have a worldwide influence - was remarkably short-lived: It heated up after World War… — Jerry Saltz Copy Share Image
Art is for anyone. It just isn't for everyone. Still, over the past decade, its audience has hugely grown, and that's irked… — Jerry Saltz Copy Share Image
Everyone goes to the same exhibitions and the same parties, stays in the same handful of hotels, eats at the same no-star… — Jerry Saltz Copy Share Image
While it may be a really trying, weird time for the art world, I see good work all the time. If you… — Jerry Saltz Copy Share Image
The last time money left the art world, intrepid types maxed out their credit cards and opened galleries, and a few of… — Jerry Saltz Copy Share Image
I hate when dealers talk to me. I love dealers - they're some of our favorite people in the art world. But… — Jerry Saltz Copy Share Image
The New York art world readily proves people wrong. Just when folks say that things stink and flibbertigibbet critics wish the worst… — Jerry Saltz Copy Share Image
It is not possible to overstate the influence of Paul Cezanne on twentieth-century art. He's the modern Giotto, someone who shattered one… — Jerry Saltz Copy Share Image
Abstraction is one of the greatest visionary tools ever invented by human beings to imagine, decipher, and depict the world. — Jerry Saltz Copy Share Image
Kinkade's paintings are worthless schmaltz, and the lamestream media that love him are wrong. However, I'd love to see a museum mount… — Jerry Saltz Copy Share Image
The forties, seventies, and the nineties, when money was scarce, were great periods, when the art world retracted but it was also… — Jerry Saltz Copy Share Image
Don’t go to a museum with a destination. Museums are wormholes to other worlds. There are ecstasy machines. Follow your eyes to… — Jerry Saltz Copy Share Image
Abstraction brings the world into more complex, variable relations; it can extract beauty, alternative topographies, ugliness, and intense actualities from seeming nothingness. — Jerry Saltz Copy Share Image
A canon is antithetical to everything the New York art world has been about for the past 40 years, during which we… — Jerry Saltz Copy Share Image
More and more in the art world are becoming moralistic, telling artists and critics what they should and shouldn't write, do, or… — Jerry Saltz Copy Share Image
'The Panorama' is also the last place anywhere in New York where the World Trade Center still stands, whole, as it stood… — Jerry Saltz Copy Share Image
Where Cezanne captured and intensified shards of the eternal (every pear far more sharply defined than it could be in life), Monet… — Jerry Saltz Copy Share Image
Damien Hirst is the Elvis of the English art world, its ayatollah, deliverer, and big-thinking entrepreneurial potty-mouthed prophet and front man. Hirst… — Jerry Saltz Copy Share Image
One argument goes that recessions are good for female artists because when money flies out the window, women are allowed in the house. The… — Jerry Saltz Copy Share Image
Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles him. Me… — Jerry Saltz Copy Share Image
The German ueber-photographer Andreas Gursky was the perfect pre-9/11 artist. — Jerry Saltz Copy Share Image
The debut show, “Second Lives: Remixing the Ordinary,” is supposed to be about how artists reuse humble or unusual materials. There’s good work here,… — Jerry Saltz Copy Share Image
While the space for artists and curators has increased enormously, maybe, just maybe, that's left room for too many people calling themselves artists and… — Jerry Saltz Copy Share Image
Those who love him love that he sells the most art; they take it as a point of faith that this proves Kinkade is… — Jerry Saltz Copy Share Image
'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and… — Jerry Saltz Copy Share Image
I love art dealers. In some ways, they're my favorite people in the art world. Really. I love that they put their money where… — Jerry Saltz Copy Share Image
My nominee for Best Picture of the year - maybe the best picture ever, because it's essentially made up of and is an ecstatic… — Jerry Saltz Copy Share Image
Many things happened in the sixties, but the period is no more significant, better, or more 'political' than today. It's time to turn the… — Jerry Saltz Copy Share Image
When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and reflect the… — Jerry Saltz Copy Share Image
Few contemporary artists mined the space between the ordinary and the strange better than Orozco did. — Jerry Saltz Copy Share Image