The debut show, “Second Lives: Remixing the Ordinary,” is supposed to be about how artists reuse humble or unusual materials. There’s good… — Jerry Saltz Copy Share Image
My nominee for Best Picture of the year - maybe the best picture ever, because it's essentially made up of and is… — Jerry Saltz Copy Share Image
I am all for art's finding a large audience. But the way that's happening now, with big works filling big galleries and… — Jerry Saltz Copy Share Image
Much good art got made while money ruled; I like a lot of it, and hardship and poverty aren't virtues. The good… — Jerry Saltz Copy Share Image
Galleries began growing in both number and size in the late seventies, when artists who worked in lofts wanted to exhibit their… — Jerry Saltz Copy Share Image
More and more in the art world are becoming moralistic, telling artists and critics what they should and shouldn't write, do, or… — Jerry Saltz Copy Share Image
After too much art that made too much sense, artists are operating blind again. They're more interested in the possible than the… — Jerry Saltz Copy Share Image
Lucian Freud's career affirms that the only thing an artist can do is remain true to whatever vision, (lack of) talent, or… — Jerry Saltz Copy Share Image
Appropriation is the idea that ate the art world. Go to any Chelsea gallery or international biennial and you'll find it. It's… — Jerry Saltz Copy Share Image
As I made my way through 'On Line,' the austere, stridently dogmatic, sometimes revelatory exhibition 'about line' at MoMA, I found myself… — Jerry Saltz Copy Share Image
One argument goes that recessions are good for female artists because when money flies out the window, women are allowed in the house. The… — Jerry Saltz Copy Share Image
Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles him. Me… — Jerry Saltz Copy Share Image
The German ueber-photographer Andreas Gursky was the perfect pre-9/11 artist. — Jerry Saltz Copy Share Image
The debut show, “Second Lives: Remixing the Ordinary,” is supposed to be about how artists reuse humble or unusual materials. There’s good work here,… — Jerry Saltz Copy Share Image
While the space for artists and curators has increased enormously, maybe, just maybe, that's left room for too many people calling themselves artists and… — Jerry Saltz Copy Share Image
Those who love him love that he sells the most art; they take it as a point of faith that this proves Kinkade is… — Jerry Saltz Copy Share Image
'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and… — Jerry Saltz Copy Share Image
I love art dealers. In some ways, they're my favorite people in the art world. Really. I love that they put their money where… — Jerry Saltz Copy Share Image
My nominee for Best Picture of the year - maybe the best picture ever, because it's essentially made up of and is an ecstatic… — Jerry Saltz Copy Share Image
Many things happened in the sixties, but the period is no more significant, better, or more 'political' than today. It's time to turn the… — Jerry Saltz Copy Share Image
When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and reflect the… — Jerry Saltz Copy Share Image
Few contemporary artists mined the space between the ordinary and the strange better than Orozco did. — Jerry Saltz Copy Share Image
