We were working from very exact models and dimensions and weights of clay to make these pots which had been designed some… — Warren MacKenzie Copy Share Image
I'm striving to make things which are the most exciting things I can make that will fit in people's homes. And in… — Warren MacKenzie Copy Share Image
In looking at these pots at the Field Museum, Alix [MacKenzie] and I both came to a conclusion individually but also collectively… — Warren MacKenzie Copy Share Image
We could make our own pots on the weekends and in the evenings, and we used to do that, and these would… — Warren MacKenzie Copy Share Image
[ Bernard] Leach was the one who taught us that, because he, too, had started out as a painter and an etcher… — Warren MacKenzie Copy Share Image
If [Bernard Leach] didn't like the drawing, he'd X it out and do another one and change the form a little bit.… — Warren MacKenzie Copy Share Image
Since your time is your main involvement here - I mean, the clay doesn't cost very much. Even the glaze and the… — Warren MacKenzie Copy Share Image
When Bernard [Leach] wrote his book, he wrote about the fact that even when pots are made in a series, there is… — Warren MacKenzie Copy Share Image
Friends of Bernard's [Leach] came to visit, and when we went to London, we were given introductions to people like Lucie Rie,… — Warren MacKenzie Copy Share Image
We [with Alix MacKenzie] had decided we needed further training, and certainly Leach was the one we turned to. So we went… — Warren MacKenzie Copy Share Image
If you press-mold a pot or if you slab-build a pot, the work has got to take much, much, much longer than… — Warren MacKenzie Copy Share Image
In the Leach Pottery we did most of our work on the wheel. [Bernard] Leach did a little work in the studio,… — Warren MacKenzie Copy Share Image
Bernard [Leach] had acquired many [Shoji] Hamada works. Some of them, it was interesting - first of all, Hamada worked in St.… — Warren MacKenzie Copy Share Image
[Bernard Leach] was an incredible draftsman, and at the end of breakfast time, for instance, he would push his plate back, and… — Warren MacKenzie Copy Share Image
In fact, when Bernard [Leach] would be called away to go up to London for something and we'd be living alone for… — Warren MacKenzie Copy Share Image
I make a lot of pots in a year's time and some of them are good and some of them are mediocre… — Warren MacKenzie Copy Share Image
It was there that we really first came in contact with the work of Shoji Hamada, who was Bernard's best friend from… — Warren MacKenzie Copy Share Image
We did respect [Bernard Leach], although we also were willing to challenge ideas and at least put forth our feelings about the… — Warren MacKenzie Copy Share Image
We never had a catalogue; we never said we were going to duplicate these pots this year and next year and the… — Warren MacKenzie Copy Share Image
We thought [with Alix MacKenzie], if those are the kinds of pots from every culture that interest us, why would we think… — Warren MacKenzie Copy Share Image
[Bernard Leach] talked about painting, but we never talked about ceramics in that evening. But at the end of the evening he… — Warren MacKenzie Copy Share Image
Looking back on it now, I understand why that was not possible [to express ourselves], because the pottery employed a dozen people,… — Warren MacKenzie Copy Share Image
At the end of that two weeks Bernard [Leach] asked us if we would like to sit with him tending the kiln,… — Warren MacKenzie Copy Share Image
I think back to some of the pots we made when we first started our pottery, and they were pretty awful pots.… — Warren MacKenzie Copy Share Image
The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation,… — Warren MacKenzie Copy Share Image
Bernard's [Leach] drawings delineated every little accent on the pot, every subtle curve and change of angle and proportion and all. — Warren MacKenzie Copy Share Image
In searching for further training we turned to England and Bernard Leach. We thought since we had responded to his book so… — Warren MacKenzie Copy Share Image
[Kathleen Blackshear] just said, "Have you thought of looking at this?" and so on and so on and so on. And it was a… — Warren MacKenzie Copy Share Image
Some years ago I was working on some forms which were vase forms with a fairly narrow base, and it was after [Hans] Coper… — Warren MacKenzie Copy Share Image
I found out later on that was not true, that life drawing tells you a great deal about rhythm, about the structure of a… — Warren MacKenzie Copy Share Image
Remember, this is back in the '40s, and the idea of a museum being a place where interested people could come in direct contact… — Warren MacKenzie Copy Share Image
At the end of that two weeks Bernard [Leach] asked us if we would like to sit with him tending the kiln, the big… — Warren MacKenzie Copy Share Image
I got drafted into the army and by pure chance was pushed into a silk-screen shop at this camp where I was, because they… — Warren MacKenzie Copy Share Image
[In the Field Museum of Natural History] we could see very simple, primitive, hand-built pottery from Babylonia and ancient Egypt and so forth, Greece.… — Warren MacKenzie Copy Share Image
Chicago is a wonderful area because it's blessed with a tremendous number of museums of various sorts, not only the Art Institute of Chicago… — Warren MacKenzie Copy Share Image
It was a wonderful opportunity. And so for two and a half years we lived with [Bernard] Leach. — Warren MacKenzie Copy Share Image
We thought [with Alix MacKenzie], if those are the kinds of pots from every culture that interest us, why would we think that it… — Warren MacKenzie Copy Share Image
I went to the Chicago Art Institute, which was the best painting school in the area at that time. And I took painting classes… — Warren MacKenzie Copy Share Image
It was there that we really first came in contact with the work of Shoji Hamada, who was Bernard's best friend from Japan, who… — Warren MacKenzie Copy Share Image