[In the Field Museum of Natural History] we could see very simple, primitive, hand-built pottery from Babylonia and ancient Egypt and so… — Warren MacKenzie Copy Share Image
We thought [with Alix MacKenzie], if those are the kinds of pots from every culture that interest us, why would we think… — Warren MacKenzie Copy Share Image
It was there that we really first came in contact with the work of Shoji Hamada, who was Bernard's best friend from… — Warren MacKenzie Copy Share Image
In the Leach Pottery we did most of our work on the wheel. [Bernard] Leach did a little work in the studio,… — Warren MacKenzie Copy Share Image
When we worked at the pottery, we did learn to make pots, that is, the physical act of making the pot. We… — Warren MacKenzie Copy Share Image
If [Bernard Leach] didn't like the drawing, he'd X it out and do another one and change the form a little bit.… — Warren MacKenzie Copy Share Image
Alix [MacKenzie], on the other hand, found that her painting would translate much more readily into decoration, and she could play with… — Warren MacKenzie Copy Share Image
I do remember that when we left [Bernard Leach] after two and a half years, we went home on a boat again… — Warren MacKenzie Copy Share Image
We did respect [Bernard Leach], although we also were willing to challenge ideas and at least put forth our feelings about the… — Warren MacKenzie Copy Share Image
Looking back on it now, I understand why that was not possible [to express ourselves], because the pottery employed a dozen people,… — Warren MacKenzie Copy Share Image
We [me and my wife] went back to St. Paul, worked for a year - again, I guess I would have to… — Warren MacKenzie Copy Share Image
Living with [Bernard] Leach, who thought about pottery 24 hours a day, was a fantastic experience, and we really began to get… — Warren MacKenzie Copy Share Image
We got a great benefit from our contact with those people [Lucie Rie, Hans Coper, Richard Batram] and met people that we… — Warren MacKenzie Copy Share Image
Every day we'd trudge up the hill - it was a three-quarter-mile walk up this steep hill to the Leach Pottery, and… — Warren MacKenzie Copy Share Image
We asked a lot of questions and we watched everyone who was working in the studio. And we had an opportunity to… — Warren MacKenzie Copy Share Image
Bernard [Leach] had acquired many [Shoji] Hamada works. Some of them, it was interesting - first of all, Hamada worked in St.… — Warren MacKenzie Copy Share Image
We were working from very exact models and dimensions and weights of clay to make these pots which had been designed some… — Warren MacKenzie Copy Share Image
Friends of Bernard's [Leach] came to visit, and when we went to London, we were given introductions to people like Lucie Rie,… — Warren MacKenzie Copy Share Image
I think back to some of the pots we made when we first started our pottery, and they were pretty awful pots.… — Warren MacKenzie Copy Share Image
In searching for further training we turned to England and Bernard Leach. We thought since we had responded to his book so… — Warren MacKenzie Copy Share Image
The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation,… — Warren MacKenzie Copy Share Image
I thought I was going to be able to use my painting ideas as decoration on pottery, but my painting did not… — Warren MacKenzie Copy Share Image
And as far as I know about Alix's [MacKenzie] work, I don't believe she ever did any sculptural work at all. It… — Warren MacKenzie Copy Share Image
We moved up here [to St.Paul with my wife] and started to teach, we very quickly found out we were not equipped… — Warren MacKenzie Copy Share Image
[Kathleen Blackshear] just said, "Have you thought of looking at this?" and so on and so on and so on. And it was a… — Warren MacKenzie Copy Share Image
Some years ago I was working on some forms which were vase forms with a fairly narrow base, and it was after [Hans] Coper… — Warren MacKenzie Copy Share Image
I found out later on that was not true, that life drawing tells you a great deal about rhythm, about the structure of a… — Warren MacKenzie Copy Share Image
Remember, this is back in the '40s, and the idea of a museum being a place where interested people could come in direct contact… — Warren MacKenzie Copy Share Image
At the end of that two weeks Bernard [Leach] asked us if we would like to sit with him tending the kiln, the big… — Warren MacKenzie Copy Share Image
I got drafted into the army and by pure chance was pushed into a silk-screen shop at this camp where I was, because they… — Warren MacKenzie Copy Share Image
[In the Field Museum of Natural History] we could see very simple, primitive, hand-built pottery from Babylonia and ancient Egypt and so forth, Greece.… — Warren MacKenzie Copy Share Image
Chicago is a wonderful area because it's blessed with a tremendous number of museums of various sorts, not only the Art Institute of Chicago… — Warren MacKenzie Copy Share Image
It was a wonderful opportunity. And so for two and a half years we lived with [Bernard] Leach. — Warren MacKenzie Copy Share Image
We thought [with Alix MacKenzie], if those are the kinds of pots from every culture that interest us, why would we think that it… — Warren MacKenzie Copy Share Image
I went to the Chicago Art Institute, which was the best painting school in the area at that time. And I took painting classes… — Warren MacKenzie Copy Share Image
It was there that we really first came in contact with the work of Shoji Hamada, who was Bernard's best friend from Japan, who… — Warren MacKenzie Copy Share Image