In the Leach Pottery we did most of our work on the wheel. [Bernard] Leach did a little work in the studio,… — Warren MacKenzie Copy Share Image
In fact, I believe to a certain extent a person today who starts with just clay, with no drawing and no painting… — Warren MacKenzie Copy Share Image
When we worked at the pottery, we did learn to make pots, that is, the physical act of making the pot. We… — Warren MacKenzie Copy Share Image
What I didn't know at the time [of my scholarship] was that the ceramic class was not really a very good class.… — Warren MacKenzie Copy Share Image
When Bernard [Leach] wrote his book, he wrote about the fact that even when pots are made in a series, there is… — Warren MacKenzie Copy Share Image
[Shoji] Hamada's [drawings] were little one-line notations of something he wanted to remember about a pot or a piece of furniture or… — Warren MacKenzie Copy Share Image
In working on a drawing or a painting, one can rework and rework and rework and change ideas until you get it… — Warren MacKenzie Copy Share Image
We were working from very exact models and dimensions and weights of clay to make these pots which had been designed some… — Warren MacKenzie Copy Share Image
Since your time is your main involvement here - I mean, the clay doesn't cost very much. Even the glaze and the… — Warren MacKenzie Copy Share Image
[Kathleen Blackshear] just said, "Have you thought of looking at this?" and so on and so on and so on. And it was a… — Warren MacKenzie Copy Share Image
Some years ago I was working on some forms which were vase forms with a fairly narrow base, and it was after [Hans] Coper… — Warren MacKenzie Copy Share Image
I found out later on that was not true, that life drawing tells you a great deal about rhythm, about the structure of a… — Warren MacKenzie Copy Share Image
Remember, this is back in the '40s, and the idea of a museum being a place where interested people could come in direct contact… — Warren MacKenzie Copy Share Image
At the end of that two weeks Bernard [Leach] asked us if we would like to sit with him tending the kiln, the big… — Warren MacKenzie Copy Share Image
I got drafted into the army and by pure chance was pushed into a silk-screen shop at this camp where I was, because they… — Warren MacKenzie Copy Share Image
[In the Field Museum of Natural History] we could see very simple, primitive, hand-built pottery from Babylonia and ancient Egypt and so forth, Greece.… — Warren MacKenzie Copy Share Image
Chicago is a wonderful area because it's blessed with a tremendous number of museums of various sorts, not only the Art Institute of Chicago… — Warren MacKenzie Copy Share Image
It was a wonderful opportunity. And so for two and a half years we lived with [Bernard] Leach. — Warren MacKenzie Copy Share Image
We thought [with Alix MacKenzie], if those are the kinds of pots from every culture that interest us, why would we think that it… — Warren MacKenzie Copy Share Image
I went to the Chicago Art Institute, which was the best painting school in the area at that time. And I took painting classes… — Warren MacKenzie Copy Share Image
It was there that we really first came in contact with the work of Shoji Hamada, who was Bernard's best friend from Japan, who… — Warren MacKenzie Copy Share Image