Some years ago I was working on some forms which were vase forms with a fairly narrow base, and it was after… — Warren MacKenzie Copy Share Image
It was a wonderful opportunity. And so for two and a half years we lived with [Bernard] Leach. — Warren MacKenzie Copy Share Image
I don't know, it's very difficult if you're in a strange country to just barge in and say, "Hello, I'm Warren MacKenzie,… — Warren MacKenzie Copy Share Image
In the middle of my second year at school, in 1943, I got drafted into the army, was gone for three years,… — Warren MacKenzie Copy Share Image
We never had a catalogue; we never said we were going to duplicate these pots this year and next year and the… — Warren MacKenzie Copy Share Image
These narrow-footed forms I was making, I thought, gosh, I could push those further, not to construct them the way [Hans] Coper… — Warren MacKenzie Copy Share Image
I do remember that when we left [Bernard Leach] after two and a half years, we went home on a boat again… — Warren MacKenzie Copy Share Image
We [me and my wife] went back to St. Paul, worked for a year - again, I guess I would have to… — Warren MacKenzie Copy Share Image
In school we did all sorts of things, molds, slab building. We were not very proficient on the wheel because the woman… — Warren MacKenzie Copy Share Image
I make a lot of pots in a year's time and some of them are good and some of them are mediocre… — Warren MacKenzie Copy Share Image
What I didn't know at the time [of my scholarship] was that the ceramic class was not really a very good class.… — Warren MacKenzie Copy Share Image
[Bernard Leach] talked about painting, but we never talked about ceramics in that evening. But at the end of the evening he… — Warren MacKenzie Copy Share Image
Bernard [Leach] had acquired many [Shoji] Hamada works. Some of them, it was interesting - first of all, Hamada worked in St.… — Warren MacKenzie Copy Share Image
We were working from very exact models and dimensions and weights of clay to make these pots which had been designed some… — Warren MacKenzie Copy Share Image
[Kathleen Blackshear] just said, "Have you thought of looking at this?" and so on and so on and so on. And it was a… — Warren MacKenzie Copy Share Image
Some years ago I was working on some forms which were vase forms with a fairly narrow base, and it was after [Hans] Coper… — Warren MacKenzie Copy Share Image
I found out later on that was not true, that life drawing tells you a great deal about rhythm, about the structure of a… — Warren MacKenzie Copy Share Image
Remember, this is back in the '40s, and the idea of a museum being a place where interested people could come in direct contact… — Warren MacKenzie Copy Share Image
At the end of that two weeks Bernard [Leach] asked us if we would like to sit with him tending the kiln, the big… — Warren MacKenzie Copy Share Image
I got drafted into the army and by pure chance was pushed into a silk-screen shop at this camp where I was, because they… — Warren MacKenzie Copy Share Image
[In the Field Museum of Natural History] we could see very simple, primitive, hand-built pottery from Babylonia and ancient Egypt and so forth, Greece.… — Warren MacKenzie Copy Share Image
Chicago is a wonderful area because it's blessed with a tremendous number of museums of various sorts, not only the Art Institute of Chicago… — Warren MacKenzie Copy Share Image
It was a wonderful opportunity. And so for two and a half years we lived with [Bernard] Leach. — Warren MacKenzie Copy Share Image
We thought [with Alix MacKenzie], if those are the kinds of pots from every culture that interest us, why would we think that it… — Warren MacKenzie Copy Share Image
I went to the Chicago Art Institute, which was the best painting school in the area at that time. And I took painting classes… — Warren MacKenzie Copy Share Image
It was there that we really first came in contact with the work of Shoji Hamada, who was Bernard's best friend from Japan, who… — Warren MacKenzie Copy Share Image