[Kathleen Blackshear] just said, "Have you thought of looking at this?" and so on and so on and so on. And it… — Warren MacKenzie Copy Share Image
At the end of that two weeks Bernard [Leach] asked us if we would like to sit with him tending the kiln,… — Warren MacKenzie Copy Share Image
Bernard [Leach] was, as I said , trained as a painter and an etcher. — Warren MacKenzie Copy Share Image
[ Bernard] Leach was the one who taught us that, because he, too, had started out as a painter and an etcher… — Warren MacKenzie Copy Share Image
I'm striving to make things which are the most exciting things I can make that will fit in people's homes. And in… — Warren MacKenzie Copy Share Image
We never had a catalogue; we never said we were going to duplicate these pots this year and next year and the… — Warren MacKenzie Copy Share Image
I do remember that when we left [Bernard Leach] after two and a half years, we went home on a boat again… — Warren MacKenzie Copy Share Image
We had a wonderful trip, a seven-day trip, talking and sitting in the sun and so forth [with Bernard Leach]. And as… — Warren MacKenzie Copy Share Image
We [with Alix MacKenzie] had decided we needed further training, and certainly Leach was the one we turned to. So we went… — Warren MacKenzie Copy Share Image
We became more familiar with [Bernard Leach], and with this familiarity came, I wouldn't say contempt, but certainly an awareness that everything… — Warren MacKenzie Copy Share Image
[Bernard Leach] talked about painting, but we never talked about ceramics in that evening. But at the end of the evening he… — Warren MacKenzie Copy Share Image
[Kathleen Blackshear] just said, "Have you thought of looking at this?" and so on and so on and so on. And it was a… — Warren MacKenzie Copy Share Image
Some years ago I was working on some forms which were vase forms with a fairly narrow base, and it was after [Hans] Coper… — Warren MacKenzie Copy Share Image
I found out later on that was not true, that life drawing tells you a great deal about rhythm, about the structure of a… — Warren MacKenzie Copy Share Image
Remember, this is back in the '40s, and the idea of a museum being a place where interested people could come in direct contact… — Warren MacKenzie Copy Share Image
At the end of that two weeks Bernard [Leach] asked us if we would like to sit with him tending the kiln, the big… — Warren MacKenzie Copy Share Image
I got drafted into the army and by pure chance was pushed into a silk-screen shop at this camp where I was, because they… — Warren MacKenzie Copy Share Image
[In the Field Museum of Natural History] we could see very simple, primitive, hand-built pottery from Babylonia and ancient Egypt and so forth, Greece.… — Warren MacKenzie Copy Share Image
Chicago is a wonderful area because it's blessed with a tremendous number of museums of various sorts, not only the Art Institute of Chicago… — Warren MacKenzie Copy Share Image
It was a wonderful opportunity. And so for two and a half years we lived with [Bernard] Leach. — Warren MacKenzie Copy Share Image
We thought [with Alix MacKenzie], if those are the kinds of pots from every culture that interest us, why would we think that it… — Warren MacKenzie Copy Share Image
I went to the Chicago Art Institute, which was the best painting school in the area at that time. And I took painting classes… — Warren MacKenzie Copy Share Image
It was there that we really first came in contact with the work of Shoji Hamada, who was Bernard's best friend from Japan, who… — Warren MacKenzie Copy Share Image