In America, there's this type of expectation of just-add-water celebrity, this type of, "Of course you found me; we're all going to… — Kehinde Wiley Copy Share Image
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or… — Kehinde Wiley Copy Share Image
There were certain expectations that were assumed of me as a young black American 20th-century - then 20th-century artist. — Kehinde Wiley Copy Share Image
I use those expectations as a color on my palette, a certain temperature in the room. You can use those expectations for… — Kehinde Wiley Copy Share Image
What's interesting about young black American artists within the twentieth century, and increasingly within the twenty-first as well, is that there's this… — Kehinde Wiley Copy Share Image
Even the hubris or the desire to go out into the world and find patterns that reflect back to yourself is so… — Kehinde Wiley Copy Share Image
The expectations of the viewer are what you're asking about. And the expectations of the viewer are manifold. However, they are very… — Kehinde Wiley Copy Share Image
I'd like to walk that fine line between the authentic artist self and the manufactured artist self. I'd like to exist outside… — Kehinde Wiley Copy Share Image
I feel sometimes constrained by the expectation that the work should be solely political. I try to create a type of work… — Kehinde Wiley Copy Share Image
Much like teaching art to young art students age 10 to 15 or so on, you have to break it down into bite-sized pieces,… — Kehinde Wiley Copy Share Image
The erotic and the art historical imagination is something that gets very little play when people talk about my work, and when they rarely… — Kehinde Wiley Copy Share Image
One of the weirdest things that happened to artists and art criticism was this moment when everyone got cynical and stopped believing in the… — Kehinde Wiley Copy Share Image
At its best, what art does is, it points to who we as human beings and what we as human beings value. And if… — Kehinde Wiley Copy Share Image
My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened,… — Kehinde Wiley Copy Share Image
I think the world that I grew up in was like being in this sort of magical artistic garden. — Kehinde Wiley Copy Share Image
It was something that came sort of matter-of-factually. Because there - it's like really - real honest engagement with the people around me and… — Kehinde Wiley Copy Share Image
We're wired to be empathetic and to care about the needs of others, but also to be curious about others. And I think that's… — Kehinde Wiley Copy Share Image
Painting is situational. And my particular situation exists within gender, race, class, sexuality, nation. — Kehinde Wiley Copy Share Image
There were certain expectations that were assumed of me as a young black American 20th-century - then 20th-century artist. — Kehinde Wiley Copy Share Image
I think, something that you might be able to locate in the work that I'm creating today: the ability to look at a black… — Kehinde Wiley Copy Share Image
I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black… — Kehinde Wiley Copy Share Image
