I believe that artists should be part of the culture. I think that my work clearly bears that out. — Kehinde Wiley Copy Share Image
The ability to look at certain patterns with regards to urban fashion, with regards to swagger, with regards to cultural hegemony, with… — Kehinde Wiley Copy Share Image
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or… — Kehinde Wiley Copy Share Image
It's a culture. It's - I mean, people obsess over this. And people create subcultures that identify - and there are people… — Kehinde Wiley Copy Share Image
I have a fondness for making paintings that go beyond just having a conversation about art for art's sake or having a… — Kehinde Wiley Copy Share Image
I came from a background where access to museum culture was rarely granted, and, when you got it, people wondered what the… — Kehinde Wiley Copy Share Image
I feel sometimes constrained by the expectation that the work should be solely political. I try to create a type of work… — Kehinde Wiley Copy Share Image
Feudal Europe is over, but it found its way into film culture. It found its way into postmodern painting culture, and we're… — Kehinde Wiley Copy Share Image
Questlove is an artist who I respect because he constantly shifts within the idiom, challenging perceptions of hip-hop and black American culture. — Kehinde Wiley Copy Share Image
As a working artist, I became increasingly aware of the patterns we see in the street and in America, becoming globalized in… — Kehinde Wiley Copy Share Image
I've had moments where I've met people who were complete, like, idiots, who could not understand visual culture to save their lives. — Kehinde Wiley Copy Share Image
That's what I think my job in the world has been, is to sort of try to sit silently a bit and… — Kehinde Wiley Copy Share Image
I believe the artist is capable of contributing to the broader evolution of culture in all of its dimensions. — Kehinde Wiley Copy Share Image
I was recently in Israel doing my work and casting for models in the streets of Haifa and Jerusalem and Tel Aviv,… — Kehinde Wiley Copy Share Image
Like commercial stuff is sort of cheap and disposable and fun and can be sort of interesting in many ways. I love… — Kehinde Wiley Copy Share Image
I happen to be a twin. I grew up half of my life with someone who looks and sounds like me. And… — Kehinde Wiley Copy Share Image
There's quite obviously the desire to open the rule sets that allow for inclusion or disclusion. I think that my hope would… — Kehinde Wiley Copy Share Image
People who - and I think that's been a huge education for me. I think it's a - it's a privilege to… — Kehinde Wiley Copy Share Image
Much like teaching art to young art students age 10 to 15 or so on, you have to break it down into bite-sized pieces,… — Kehinde Wiley Copy Share Image
The erotic and the art historical imagination is something that gets very little play when people talk about my work, and when they rarely… — Kehinde Wiley Copy Share Image
One of the weirdest things that happened to artists and art criticism was this moment when everyone got cynical and stopped believing in the… — Kehinde Wiley Copy Share Image
At its best, what art does is, it points to who we as human beings and what we as human beings value. And if… — Kehinde Wiley Copy Share Image
My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened,… — Kehinde Wiley Copy Share Image
I think the world that I grew up in was like being in this sort of magical artistic garden. — Kehinde Wiley Copy Share Image
It was something that came sort of matter-of-factually. Because there - it's like really - real honest engagement with the people around me and… — Kehinde Wiley Copy Share Image
We're wired to be empathetic and to care about the needs of others, but also to be curious about others. And I think that's… — Kehinde Wiley Copy Share Image
Painting is situational. And my particular situation exists within gender, race, class, sexuality, nation. — Kehinde Wiley Copy Share Image
There were certain expectations that were assumed of me as a young black American 20th-century - then 20th-century artist. — Kehinde Wiley Copy Share Image
I think, something that you might be able to locate in the work that I'm creating today: the ability to look at a black… — Kehinde Wiley Copy Share Image
I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black… — Kehinde Wiley Copy Share Image
![“There is no pedestrian culture [in South Central Los Angeles].…” quote by Kehinde Wiley](https://sms4smile.com/quotes/img-quotes/ecb/kehinde-wiley-1194_culture_there-is-no-pedestrian-culture-in-south_2447529.jpg)
