I believe that artists should be part of the culture. I think that my work clearly bears that out. — Kehinde Wiley Copy Share Image
I think that artists provide questions, not answers. We provide provocations rather than fully formed objects. — Kehinde Wiley Copy Share Image
I actually studied cooking and, like, was thinking about becoming a chef. — Kehinde Wiley Copy Share Image
I think that's kind of indicative of a type of self-confidence that people develop when they recognize their own ability to create. — Kehinde Wiley Copy Share Image
I think the world that I grew up in was like being in this sort of magical artistic garden. — Kehinde Wiley Copy Share Image
I am interested in evolution within my thinking. I am not interested in the evolution of my paint. — Kehinde Wiley Copy Share Image
That's the trouble with, I think, my - the contemporary read of my work. So many people just simply say, "These are… — Kehinde Wiley Copy Share Image
When I went to the Studio Museum in Harlem, there was a type of freedom that existed where I didn't have to… — Kehinde Wiley Copy Share Image
I think, something that you might be able to locate in the work that I'm creating today: the ability to look at… — Kehinde Wiley Copy Share Image
I think that just the nature of art education in schools, it's about packs, you know? Like, we're young wolves running together,… — Kehinde Wiley Copy Share Image
And as a young black man, a lot of my professors would really think that it was useful to see the work… — Kehinde Wiley Copy Share Image
The art world has become so insular. The rules have become so autodidactic that, in a sense, they lose track of what… — Kehinde Wiley Copy Share Image
You know, one of my - one of my best and, I think, most enlightening moments was when I was contacted by… — Kehinde Wiley Copy Share Image
We're wired to be empathetic and to care about the needs of others, but also to be curious about others. And I… — Kehinde Wiley Copy Share Image
It never really understood its own situational luxury. And I think that by and large the privilege of being Kehinde Wiley in… — Kehinde Wiley Copy Share Image
I think that once you're able to sort of get in line with who and how you relate to the world, you'll… — Kehinde Wiley Copy Share Image
For example, in one of my last exhibitions I had a 50-foot massive painting with I think perhaps a hundred thousand hand-painted… — Kehinde Wiley Copy Share Image
I think that at its best, painting can be an act of juggling perceptions, a hall of mirrors. And it can be… — Kehinde Wiley Copy Share Image
I think one of the things that I took from Mel [Bochner] specifically was his ability to look at oneself and one's… — Kehinde Wiley Copy Share Image
What came out of that was an intense obsession with status anxiety. So much of these portraits are about fashioning oneself into… — Kehinde Wiley Copy Share Image
I think that gave rise to the type of practice that I - that I do now. I think it was informed… — Kehinde Wiley Copy Share Image
I think, at the L.A. County Museum of Art, I saw my first example of Kerry James Marshall, who had a very… — Kehinde Wiley Copy Share Image
You know, the process, I think, is the story. And it goes back, again, to what I said about chance and about… — Kehinde Wiley Copy Share Image
Can I - do I have to be obsessed with it and proceed from that? Not always. But when I'm on top… — Kehinde Wiley Copy Share Image
In the Studio Museum in Harlem, when I was dealing with that community and dealing with my peers in the streets, it… — Kehinde Wiley Copy Share Image
I think what we should concentrate on is what it feels like to be a working artist in the day to day.… — Kehinde Wiley Copy Share Image
I think it's really useful to create parameters. The term you use can be forwarded into something more like a grid, a… — Kehinde Wiley Copy Share Image
I think that the Kehinde Wiley brand is something that I'm working towards expanding and to inclusion. — Kehinde Wiley Copy Share Image
I think that at its best you just have to respect each arena for what they can do well. — Kehinde Wiley Copy Share Image
I think it's possible to allow an artist to go beyond his borders and play. — Kehinde Wiley Copy Share Image
What it is is a type of editorialization, you know? This is self-portraiture. This is what you think about the world we… — Kehinde Wiley Copy Share Image
I think that one of the questions that I asked of myself in later years was to this point of the political… — Kehinde Wiley Copy Share Image
One of my most strong memories was studying with Mel Bochner, one of the, I think, high water marks of American conceptual… — Kehinde Wiley Copy Share Image
In some way they are all self-portraits, but I think I know what you mean by asking this - I would say,… — Kehinde Wiley Copy Share Image
I think there's something important in going against the grain and perhaps finding value in things that aren't necessarily institutionally recognized. — Kehinde Wiley Copy Share Image
I think it was a matter of, like, I'm not going to have my kids in these wild streets. Both my twin… — Kehinde Wiley Copy Share Image
People who - and I think that's been a huge education for me. I think it's a - it's a privilege to… — Kehinde Wiley Copy Share Image
Portraiture is something that we're all drawn to. I think primarily other forms - we prefer, by and large, to look at… — Kehinde Wiley Copy Share Image
So sometimes you have to play your hand and sort of push in a direction. And I think that masculinity is the… — Kehinde Wiley Copy Share Image
Much like teaching art to young art students age 10 to 15 or so on, you have to break it down into bite-sized pieces,… — Kehinde Wiley Copy Share Image
The erotic and the art historical imagination is something that gets very little play when people talk about my work, and when they rarely… — Kehinde Wiley Copy Share Image
One of the weirdest things that happened to artists and art criticism was this moment when everyone got cynical and stopped believing in the… — Kehinde Wiley Copy Share Image
At its best, what art does is, it points to who we as human beings and what we as human beings value. And if… — Kehinde Wiley Copy Share Image
My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened,… — Kehinde Wiley Copy Share Image
I think the world that I grew up in was like being in this sort of magical artistic garden. — Kehinde Wiley Copy Share Image
It was something that came sort of matter-of-factually. Because there - it's like really - real honest engagement with the people around me and… — Kehinde Wiley Copy Share Image
We're wired to be empathetic and to care about the needs of others, but also to be curious about others. And I think that's… — Kehinde Wiley Copy Share Image
Painting is situational. And my particular situation exists within gender, race, class, sexuality, nation. — Kehinde Wiley Copy Share Image
There were certain expectations that were assumed of me as a young black American 20th-century - then 20th-century artist. — Kehinde Wiley Copy Share Image
I think, something that you might be able to locate in the work that I'm creating today: the ability to look at a black… — Kehinde Wiley Copy Share Image
I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black… — Kehinde Wiley Copy Share Image
![“For example, in one of my last exhibitions I had a 50-foot massive painting with I think perhaps a hundred thousand hand-painted small flowers. This was the Christ painting [The Dead Christ in the Tomb, 2008] in my Down exhibition [2008]. Now, I simply can't spend eight hours a day painting small…” quote by Kehinde Wiley](https://sms4smile.com/quotes/img-quotes/f48/kehinde-wiley-1194_christ_for-example-in-one-of-my-last-exhibition_923224.jpg)
![“I think one of the things that I took from Mel [Bochner] specifically was his ability to look at oneself and one's relationship to the history of art and the practice of art at arm's length, the ability to sort of clinically and coldly remove oneself from the picture and to see it simply as a set…” quote by Kehinde Wiley](https://sms4smile.com/quotes/img-quotes/d03/kehinde-wiley-1194_ability_i-think-one-of-the-things-that-i-took-fr_1847799.jpg)
![“I think, at the L.A. County Museum of Art, I saw my first example of Kerry James Marshall, who had a very sort of heroic, oversized painting of black men in a barbershop. But it was painted on the same level and with the same urgency that you would see in a grand-scale [Anthony] van Dyck or…” quote by Kehinde Wiley](https://sms4smile.com/quotes/img-quotes/a08/kehinde-wiley-1194_art_i-think-at-the-l-a-county-museum-of-art_1563358.jpg)
