I believe the artist is capable of contributing to the broader evolution of culture in all of its dimensions. — Kehinde Wiley Copy Share Image
Your best as an artist is to create something that resonates for you. — Kehinde Wiley Copy Share Image
I think it's possible to allow an artist to go beyond his borders and play. — Kehinde Wiley Copy Share Image
I think the world that I grew up in was like being in this sort of magical artistic garden. — Kehinde Wiley Copy Share Image
I think that artists provide questions, not answers. We provide provocations rather than fully formed objects. — Kehinde Wiley Copy Share Image
That should be something that an artist can respond to as well in terms of a painting. — Kehinde Wiley Copy Share Image
I was 11 when I was first introduced to live drawing classes and going to art school. — Kehinde Wiley Copy Share Image
There's nothing shocking inherently about that, given that so much of the way that artists are taught is by copying old master… — Kehinde Wiley Copy Share Image
One of my most strong memories was studying with Mel Bochner, one of the, I think, high water marks of American conceptual… — Kehinde Wiley Copy Share Image
Women are expected to identify gender as a starting point. Ethnicities are expected to identify that as a location. Is it ever… — Kehinde Wiley Copy Share Image
Artists should be able to thrive and allow their ideas to flourish as much as those in biotechnology or finance. — Kehinde Wiley Copy Share Image
As a working artist, I became increasingly aware of the patterns we see in the street and in America, becoming globalized in… — Kehinde Wiley Copy Share Image
He [Michael Jackson] would choose specific moments. They were art history books that I prefer. They were paintings that he prefers. It's… — Kehinde Wiley Copy Share Image
I have a fondness for making paintings that go beyond just having a conversation about art for art's sake or having a… — Kehinde Wiley Copy Share Image
I think what we should concentrate on is what it feels like to be a working artist in the day to day.… — Kehinde Wiley Copy Share Image
Going to the Huntington gardens and libraries was radically important for me. They have one of the best collections of 18th- and… — Kehinde Wiley Copy Share Image
It became a question of taste. I have a certain taste in art history. And that - I had a huge library… — Kehinde Wiley Copy Share Image
Much like teaching art to young art students age 10 to 15 or so on, you have to break it down into… — Kehinde Wiley Copy Share Image
I think one of the things that I took from Mel [Bochner] specifically was his ability to look at oneself and one's… — Kehinde Wiley Copy Share Image
Let's talk about the artist's desire to go beyond the pictorial or the representational and the desire to create the abstract -… — Kehinde Wiley Copy Share Image
One of the weirdest things that happened to artists and art criticism was this moment when everyone got cynical and stopped believing… — Kehinde Wiley Copy Share Image
So much of the hubris that surrounded conceptual art in the 1950s through '70s was that it had this arrogant presupposition that… — Kehinde Wiley Copy Share Image
I think that at its best, painting can be an act of juggling perceptions, a hall of mirrors. And it can be… — Kehinde Wiley Copy Share Image
I think that once you're able to sort of get in line with who and how you relate to the world, you'll… — Kehinde Wiley Copy Share Image
In high school I went to the Los Angeles County High School for the Arts. And this is like Fame. It's like… — Kehinde Wiley Copy Share Image
I think, at the L.A. County Museum of Art, I saw my first example of Kerry James Marshall, who had a very… — Kehinde Wiley Copy Share Image
There is no purity with regards to the marketplace and art, I believe. — Kehinde Wiley Copy Share Image
Art in the age of the digital image is completely different from experiencing art in physical form. — Kehinde Wiley Copy Share Image
I believe that artists should be part of the culture. I think that my work clearly bears that out. — Kehinde Wiley Copy Share Image
If art can be at the service of anything, it's about letting us see a state of grace for those people who… — Kehinde Wiley Copy Share Image
After high school I went to the San Francisco Art Institute, and I began a formalized art education where we went through… — Kehinde Wiley Copy Share Image
I went back to my mother's house recently and I saw some of my earlier works as a 15-year-old art student. And… — Kehinde Wiley Copy Share Image
I think the pairing of your material practice with your subject is something that is the constant concern of every artist for… — Kehinde Wiley Copy Share Image
There was no image of the other biological half of myself. And as an artists, as a - as an - as… — Kehinde Wiley Copy Share Image
My mother sent me to art classes at the age of 11. I began to have kids around me say, 'Will you… — Kehinde Wiley Copy Share Image
Much like teaching art to young art students age 10 to 15 or so on, you have to break it down into bite-sized pieces,… — Kehinde Wiley Copy Share Image
The erotic and the art historical imagination is something that gets very little play when people talk about my work, and when they rarely… — Kehinde Wiley Copy Share Image
One of the weirdest things that happened to artists and art criticism was this moment when everyone got cynical and stopped believing in the… — Kehinde Wiley Copy Share Image
At its best, what art does is, it points to who we as human beings and what we as human beings value. And if… — Kehinde Wiley Copy Share Image
My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened,… — Kehinde Wiley Copy Share Image
I think the world that I grew up in was like being in this sort of magical artistic garden. — Kehinde Wiley Copy Share Image
It was something that came sort of matter-of-factually. Because there - it's like really - real honest engagement with the people around me and… — Kehinde Wiley Copy Share Image
We're wired to be empathetic and to care about the needs of others, but also to be curious about others. And I think that's… — Kehinde Wiley Copy Share Image
Painting is situational. And my particular situation exists within gender, race, class, sexuality, nation. — Kehinde Wiley Copy Share Image
There were certain expectations that were assumed of me as a young black American 20th-century - then 20th-century artist. — Kehinde Wiley Copy Share Image
I think, something that you might be able to locate in the work that I'm creating today: the ability to look at a black… — Kehinde Wiley Copy Share Image
I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black… — Kehinde Wiley Copy Share Image