One of the weirdest things that happened to artists and art criticism was this moment when everyone got cynical and stopped believing… — Kehinde Wiley Copy Share Image
There were certain expectations that were assumed of me as a young black American 20th-century - then 20th-century artist. — Kehinde Wiley Copy Share Image
I believe that artists should be part of the culture. I think that my work clearly bears that out. — Kehinde Wiley Copy Share Image
In high school I went to the Los Angeles County High School for the Arts. And this is like Fame. It's like… — Kehinde Wiley Copy Share Image
I think that at its best, painting can be an act of juggling perceptions, a hall of mirrors. And it can be… — Kehinde Wiley Copy Share Image
There's nothing shocking inherently about that, given that so much of the way that artists are taught is by copying old master… — Kehinde Wiley Copy Share Image
Let's talk about the artist's desire to go beyond the pictorial or the representational and the desire to create the abstract -… — Kehinde Wiley Copy Share Image
Your best as an artist is to create something that resonates for you. — Kehinde Wiley Copy Share Image
I think that artists provide questions, not answers. We provide provocations rather than fully formed objects. — Kehinde Wiley Copy Share Image
Joseph Gotto, yeah. Just all-around one of the more inspiring artists - not because of any sort of specific content direction, but… — Kehinde Wiley Copy Share Image
This is something that, as artists, we constantly deal with-throwing away the past, slaying the father, and creating the new. This desire… — Kehinde Wiley Copy Share Image
Women are expected to identify gender as a starting point. Ethnicities are expected to identify that as a location. Is it ever… — Kehinde Wiley Copy Share Image
Like, the smells and the sights and the sounds. As an artist, you want to sort of be able to engage that… — Kehinde Wiley Copy Share Image
I think what we should concentrate on is what it feels like to be a working artist in the day to day.… — Kehinde Wiley Copy Share Image
What's interesting about young black American artists within the twentieth century, and increasingly within the twenty-first as well, is that there's this… — Kehinde Wiley Copy Share Image
That should be something that an artist can respond to as well in terms of a painting. — Kehinde Wiley Copy Share Image
There is a political and racial context behind everything that I do. Not always because I design it that way, or because… — Kehinde Wiley Copy Share Image
[My twin brother] he was the star artist of the family as we - as we were growing up. He eventually lost… — Kehinde Wiley Copy Share Image
I think the pairing of your material practice with your subject is something that is the constant concern of every artist for… — Kehinde Wiley Copy Share Image
My studio practice is a - I suppose a bit more like [Thomas] Gainsborough or [Peter Paul] Rubens in the sense that… — Kehinde Wiley Copy Share Image
There was no image of the other biological half of myself. And as an artists, as a - as an - as… — Kehinde Wiley Copy Share Image
As a working artist, I became increasingly aware of the patterns we see in the street and in America, becoming globalized in… — Kehinde Wiley Copy Share Image
The expectations of the viewer are what you're asking about. And the expectations of the viewer are manifold. However, they are very… — Kehinde Wiley Copy Share Image
Much like teaching art to young art students age 10 to 15 or so on, you have to break it down into bite-sized pieces,… — Kehinde Wiley Copy Share Image
The erotic and the art historical imagination is something that gets very little play when people talk about my work, and when they rarely… — Kehinde Wiley Copy Share Image
One of the weirdest things that happened to artists and art criticism was this moment when everyone got cynical and stopped believing in the… — Kehinde Wiley Copy Share Image
At its best, what art does is, it points to who we as human beings and what we as human beings value. And if… — Kehinde Wiley Copy Share Image
My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened,… — Kehinde Wiley Copy Share Image
I think the world that I grew up in was like being in this sort of magical artistic garden. — Kehinde Wiley Copy Share Image
It was something that came sort of matter-of-factually. Because there - it's like really - real honest engagement with the people around me and… — Kehinde Wiley Copy Share Image
We're wired to be empathetic and to care about the needs of others, but also to be curious about others. And I think that's… — Kehinde Wiley Copy Share Image
Painting is situational. And my particular situation exists within gender, race, class, sexuality, nation. — Kehinde Wiley Copy Share Image
There were certain expectations that were assumed of me as a young black American 20th-century - then 20th-century artist. — Kehinde Wiley Copy Share Image
I think, something that you might be able to locate in the work that I'm creating today: the ability to look at a black… — Kehinde Wiley Copy Share Image
I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black… — Kehinde Wiley Copy Share Image