Quote by Stephen Coles

“weight. Arnhem also sports an unusually large x-height for a serif, which enables not only dense text, but also a more harmonious fit with most sans serifs. Good for: Magazines. Forward-thinking newspapers.” quote by Stephen Coles — Download Open image

““weight. Arnhem also sports an unusually large x-height for a serif, which enables not only dense text, but also a more harmonious fit with most sans serifs. Good for: Magazines. Forward-thinking newspapers.””

Stephen Coles

★ ★ ★ ★ ★ 4.2 out of 5 (8 ratings)

More by Stephen Coles

“FF Yoga Sans is part of a double-barreled assault on the traditional classics, with its partner an update of Humanist serifs like Garamond. Not…

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“Lexicon was created specifically for dictionaries. As such, it is optimized for maximum readability in a minimum of space. It achieves this using methods…

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“Filosofia is pretty and polite, but comes from the country. Good for: Artisanal baked goods. Fine jams and preserves.”

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“FF DIN Designer: Albert-Jan Pool // Foundry: FontFont // Country of origin: Germany Release year: 1995 // Classification: Geometric Sans DIN is essentially the national typeface of Germany. Developed over many years by the German Institute for Standardization (Deutsches Institut für Normung) for traffic signs and other official applications, DIN is an unusually successful design by committee. Its spare, geometric construction effectively communicates”

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“Christian Schwartz closely followed the three original weights and added a “Super” heavy weight, which required some changes in form, but retains the tailed…

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“Right from the beginning, I was convinced that Avenir is the better Futura,” said a confident Adrian Frutiger in a recent interview looking back at his 1988 creation. In some respects, his declaration was more than mere boasting — coming 60 years after Futura, Avenir remedied many of the compromises that Renner made in his quest for geometry. Frutiger abandoned…

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“Most people will likely encounter Ingeborg’s showy Display variants: the decorative fill and shadow of Block, and the buxom swashes of Fat Italic. These are indeed finely crafted crowd-pleasers, but the typeface’s more important contribution to typography is in the text weights. Michael Hochleitner managed to comfortably combine the neoclassical glamour of Didones, the readability of other Rational typefaces like…

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“spirit. These rich curves feel crafted by hand, not computer. Dashing — maybe even exuberant — Baskerville has been known to steal the show,…

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“Heron Serif is a strong, no-nonsense, hard-nosed typeface ready to go to work. There is a solid monolinear quality to every weight and style — even the bold keeps this feeling, as it lacks the increased stroke contrast that sometimes makes an otherwise stoic face appear somewhat friendly, even whimsical. Still, Heron is not cold: if DIN is a German…

Stephen Coles