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Old english Quote by Stephen Coles

“blackletter has come to represent a certain reverence and antiquity. There are various forms, such as the French/Flemish Bâtarde, or the German Schwabacher and Fraktur, but the style familiar to most modern-day readers is Textura (colloquially — and inaccurately — called Old English). Yet most…” quote by Stephen Coles
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““blackletter has come to represent a certain reverence and antiquity. There are various forms, such as the French/Flemish Bâtarde, or the German Schwabacher and Fraktur, but the style familiar to most modern-day readers is Textura (colloquially — and inaccurately — called Old English). Yet most Textura typefaces still aren’t very legible to a public accustomed to roman letterforms. Cabazon alleviates that issue by keeping things fairly informal and free of ornamentation.””

Stephen Coles

About This Quote

Source Article: Typography History, Stephen Coles, 2023

Blackletter fonts convey historic gravitas but often lack readability for modern audiences; a simplified version improves legibility while retaining character.

In simple terms: Old‑style fonts feel historic but can be hard to read; simpler designs help.

Key Takeaway

Use clearer typefaces when readability matters.

Themes

legibility history design readability

Mood

thoughtful analytical

Type

explanatory informative

When to use this quote

  • publishing
  • branding
  • academic papers
  • web design
  • signage

Key Concepts

typography visual communication cultural heritage

Questions to Reflect On

  • How can you balance tradition and clarity?
  • When is ornate typography appropriate?
A Different Perspective

Simplified fonts may lose some authentic aesthetic.

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