In the Studio Museum in Harlem, when I was dealing with that community and dealing with my peers in the streets, it… — Kehinde Wiley Copy Share Image
The work that I wanted to create wasn't being done then. I was too much concerned about fellow students, professors, institutional style… — Kehinde Wiley Copy Share Image
Mel [ Bochner] held large-form meetings with students. But the stronger points came through when we had the one-on-one critiques. And that's… — Kehinde Wiley Copy Share Image
I suppose in the end what shift occurred - is that at Yale I began to become more materially and conceptually aware… — Kehinde Wiley Copy Share Image
I began working within the streets of Harlem, where, after graduating from Yale [University, New Haven, CT], I became the artist in… — Kehinde Wiley Copy Share Image
Much like teaching art to young art students age 10 to 15 or so on, you have to break it down into bite-sized pieces,… — Kehinde Wiley Copy Share Image
The erotic and the art historical imagination is something that gets very little play when people talk about my work, and when they rarely… — Kehinde Wiley Copy Share Image
One of the weirdest things that happened to artists and art criticism was this moment when everyone got cynical and stopped believing in the… — Kehinde Wiley Copy Share Image
At its best, what art does is, it points to who we as human beings and what we as human beings value. And if… — Kehinde Wiley Copy Share Image
My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened,… — Kehinde Wiley Copy Share Image
I think the world that I grew up in was like being in this sort of magical artistic garden. — Kehinde Wiley Copy Share Image
It was something that came sort of matter-of-factually. Because there - it's like really - real honest engagement with the people around me and… — Kehinde Wiley Copy Share Image
We're wired to be empathetic and to care about the needs of others, but also to be curious about others. And I think that's… — Kehinde Wiley Copy Share Image
Painting is situational. And my particular situation exists within gender, race, class, sexuality, nation. — Kehinde Wiley Copy Share Image
There were certain expectations that were assumed of me as a young black American 20th-century - then 20th-century artist. — Kehinde Wiley Copy Share Image
I think, something that you might be able to locate in the work that I'm creating today: the ability to look at a black… — Kehinde Wiley Copy Share Image
I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black… — Kehinde Wiley Copy Share Image
![“The work that I wanted to create wasn't being done then. I was too much concerned about fellow students, professors, institutional style [in Yale].” quote by Kehinde Wiley](https://sms4smile.com/quotes/img-quotes/e95/kehinde-wiley-1194_being-done_the-work-that-i-wanted-to-create-wasn-t_516049.jpg)
![“Mel [ Bochner] held large-form meetings with students. But the stronger points came through when we had the one-on-one critiques. And that's the system that works at Yale. There's the group critiques, and then there's the one-on-one critiques that happen in studio.” quote by Kehinde Wiley](https://sms4smile.com/quotes/img-quotes/49f/kehinde-wiley-1194_critique_mel-bochner-held-large-form-meetings-wit_717613.jpg)
![“I began working within the streets of Harlem, where, after graduating from Yale [University, New Haven, CT], I became the artist in residence at the Studio Museum in Harlem [New York, NY]. I wanted to know what that was about. I would actually pull people from off of the streets and ask them to…” quote by Kehinde Wiley](https://sms4smile.com/quotes/img-quotes/dd2/kehinde-wiley-1194_art_i-began-working-within-the-streets-of-ha_2894302.jpg)
