There were certain expectations that were assumed of me as a young black American 20th-century - then 20th-century artist. — Kehinde Wiley Copy Share Image
When we talk about Orientalist painting, we're talking about painting generally from the seventeenth through the nineteenth century, and some would say… — Kehinde Wiley Copy Share Image
What came out of that was an intense obsession with status anxiety. So much of these portraits are about fashioning oneself into… — Kehinde Wiley Copy Share Image
It never really understood its own situational luxury. And I think that by and large the privilege of being Kehinde Wiley in… — Kehinde Wiley Copy Share Image
What's interesting about young black American artists within the twentieth century, and increasingly within the twenty-first as well, is that there's this… — Kehinde Wiley Copy Share Image
What's great about it is that painting doesn't move. And so in the 21st century, when we're used to clicking and browsing… — Kehinde Wiley Copy Share Image
Going to the Huntington gardens and libraries was radically important for me. They have one of the best collections of 18th- and… — Kehinde Wiley Copy Share Image
So much of my work is defined by the difference between the figure in the foreground and the background. Very early in… — Kehinde Wiley Copy Share Image
Much like teaching art to young art students age 10 to 15 or so on, you have to break it down into bite-sized pieces,… — Kehinde Wiley Copy Share Image
The erotic and the art historical imagination is something that gets very little play when people talk about my work, and when they rarely… — Kehinde Wiley Copy Share Image
One of the weirdest things that happened to artists and art criticism was this moment when everyone got cynical and stopped believing in the… — Kehinde Wiley Copy Share Image
At its best, what art does is, it points to who we as human beings and what we as human beings value. And if… — Kehinde Wiley Copy Share Image
My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened,… — Kehinde Wiley Copy Share Image
I think the world that I grew up in was like being in this sort of magical artistic garden. — Kehinde Wiley Copy Share Image
It was something that came sort of matter-of-factually. Because there - it's like really - real honest engagement with the people around me and… — Kehinde Wiley Copy Share Image
We're wired to be empathetic and to care about the needs of others, but also to be curious about others. And I think that's… — Kehinde Wiley Copy Share Image
Painting is situational. And my particular situation exists within gender, race, class, sexuality, nation. — Kehinde Wiley Copy Share Image
There were certain expectations that were assumed of me as a young black American 20th-century - then 20th-century artist. — Kehinde Wiley Copy Share Image
I think, something that you might be able to locate in the work that I'm creating today: the ability to look at a black… — Kehinde Wiley Copy Share Image
I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black… — Kehinde Wiley Copy Share Image
