Business Quote by Junichiro Tanizaki
““When I lived on the Bluff in Yokohama I spend a good deal of my leisure in the company of foreign residents, at their banquets and balls. At close range I was not particularly struck by their whiteness, but from a distance I could distinguish them quite clearly from the Japanese. Among the Japanese were ladies who were dressed in gowns no less splendid than the foreigners’, and whose skin was whiter than theirs. Yet from across the room these ladies, even one alone, would stand out unmistakably from amongst a group of foreigners. For the Japanese complexion, no matter how white, is tinged by a slight cloudiness. These women were in no way reticent about powdering themselves. Every bit of exposed flesh—even their backs and arms—they covered with a thick coat of white. Still they could not efface the darkness that lay below their skin. It was as plainly visible as dirt at the bottom of a pool of pure water. Between the fingers, around the nostrils, on the nape of the neck, along the spine—about these places especially, dark, almost dirty, shadows gathered. But the skin of the Westerners, even those of a darker complexion, had a limpid glow. Nowhere were they tainted by this gray shadow. From the tops of their heads to the tips of their fingers the whiteness was pure and unadulterated. Thus it is that when one of us goes among a group of Westerners it is like a grimy stain on a sheet of white paper. The sight offends even our own eyes and leaves none too pleasant a feeling.””
About This Quote
Source Book: Naoki Prize-winning novel “The Mysterious Flame of Queen Kaguya” (original Japanese title “Kōshō no Kōri”) by Junichiro Tanizaki, 1910s
The passage contrasts how Japanese women, despite heavy whitening, retain a subtle gray undertone that distinguishes them from Western women whose skin appears uniformly luminous, highlighting cultural perceptions of beauty and otherness.
In simple terms: Japanese skin shows a faint gray shadow even when heavily powdered, unlike Western skin which looks uniformly bright.
Recognize that beauty standards are culturally constructed and not purely visual.
Themes
Mood
Type
When to use this quote
- fashion events
- cross‑cultural encounters
- personal grooming
- social gatherings
- colonial influence
Key Concepts
Questions to Reflect On
- How do cultural beauty practices shape self‑identity?
- What does “purity” in skin reveal about societal values?
The observation may overgeneralize and ignore individual variation, reducing complex identities to skin tone.