[Students] they did the sonic meditations, I would observe them in their ensembles, and the ensembles improved incredibly. So I knew I… — Pauline Oliveros Copy Share Image
It was around the end of the '60s, when I began to compose sonic meditations. Before that I was doing a lot… — Pauline Oliveros Copy Share Image
When I composed the first sonic meditation, I realized that I was composing the direction of attention. — Pauline Oliveros Copy Share Image
I wrote my sonic meditations and started using them with students. I took a bunch of UCSD students out to Joshua Tree… — Pauline Oliveros Copy Share Image
In my Deep Listening class at RPI, I always do an hour of energy exercises to start with. Then we do a… — Pauline Oliveros Copy Share Image
Something that I did, and I developed out of that sonic meditations, which were pieces that I composed in the '70s that… — Pauline Oliveros Copy Share Image
I would play a long tone on my accordion, or I'd sing one, and I would note how it felt - what… — Pauline Oliveros Copy Share Image
That was at the Michigan Womyn's Music Festival in about 1989. There were 6,000 women there, and they were out in a… — Pauline Oliveros Copy Share Image
One day I decided I would like to put a record into my system. So I picked up a record that was lying on… — Pauline Oliveros Copy Share Image
I can't really deal with buttons. And that's what I keep saying, "Okay, I can't push buttons, because that means I have to take… — Pauline Oliveros Copy Share Image
There is a book called San Francisco Tape Music Centre:1960s Counterculture and the Avant-Garde and this book describes everything that you want to know… — Pauline Oliveros Copy Share Image
Everybody improvises their way through every day. And so I do that with music. — Pauline Oliveros Copy Share Image
In the '60s my friends were interested and we were hearing electronic music coming in on community radio from Europe, so that's where it… — Pauline Oliveros Copy Share Image
[Students] they did the sonic meditations, I would observe them in their ensembles, and the ensembles improved incredibly. So I knew I had something… — Pauline Oliveros Copy Share Image
It was around the end of the '60s, when I began to compose sonic meditations. Before that I was doing a lot of reflecting… — Pauline Oliveros Copy Share Image
I got very interested in attention and awareness and how to achieve certain states through understanding this. — Pauline Oliveros Copy Share Image
I try to influence this improvisation in two ways. One is by centering on reflections, in both senses of the word: acoustic reflections as… — Pauline Oliveros Copy Share Image
People's experiences are all different, and you don't know what the person experienced. They know, but you don't, so I think it's important to… — Pauline Oliveros Copy Share Image
I noticed you could monitor the recording that you're making, but you could also monitor the playback head. There's a little distance between them… — Pauline Oliveros Copy Share Image
First of all I had to teach myself how to use the studio because there wasn't any classes in electronic music. So I'd stay… — Pauline Oliveros Copy Share Image
![“[Students] they did the sonic meditations, I would observe them in their ensembles, and the ensembles improved incredibly. So I knew I had something to do and something to say.” quote by Pauline Oliveros](https://sms4smile.com/quotes/img-quotes/7b3/pauline-oliveros-8481_ensemble_students-they-did-the-sonic-meditations_223257.jpg)
