Everybody improvises their way through every day. And so I do that with music. — Pauline Oliveros Copy Share Image
In the '60s my friends were interested and we were hearing electronic music coming in on community radio from Europe, so that's… — Pauline Oliveros Copy Share Image
First of all I had to teach myself how to use the studio because there wasn't any classes in electronic music. So… — Pauline Oliveros Copy Share Image
I heard a lot of different kinds of music. I heard country music, I heard jazz, I heard symphonic music, opera, everything… — Pauline Oliveros Copy Share Image
I felt a challenge to compose music. That's where my challenge was, for the most part. — Pauline Oliveros Copy Share Image
My mother brought home the accordion in 1942. I was fascinated and wanted to learn to play it. Some of my music… — Pauline Oliveros Copy Share Image
I am also interested in music expanding consciousness. By expanding consciousness, I mean that old patterns can be replaced with new ones. — Pauline Oliveros Copy Share Image
In the beginning we were making tape music, meaning, we were making music on tape. — Pauline Oliveros Copy Share Image
Deep Listening is listening to everything all the time, and reminding yourself when you're not. But going below the surface too, it's… — Pauline Oliveros Copy Share Image
We think about sitting in a space and hearing some music by having our ears pointed forward towards the musicians sitting opposite… — Pauline Oliveros Copy Share Image
I have a variety of ways that I make music, but I'm working with the Thingamajigs in a particular way, which is:… — Pauline Oliveros Copy Share Image
That was at the Michigan Womyn's Music Festival in about 1989. There were 6,000 women there, and they were out in a… — Pauline Oliveros Copy Share Image
[My interest in music] is from my mother and my grandmother, who were pianists, and they taught. — Pauline Oliveros Copy Share Image
I didn't have any sophisticated equipment at all. The equipment we had in the studio at the time was not intended to… — Pauline Oliveros Copy Share Image
One day I decided I would like to put a record into my system. So I picked up a record that was lying on… — Pauline Oliveros Copy Share Image
I can't really deal with buttons. And that's what I keep saying, "Okay, I can't push buttons, because that means I have to take… — Pauline Oliveros Copy Share Image
There is a book called San Francisco Tape Music Centre:1960s Counterculture and the Avant-Garde and this book describes everything that you want to know… — Pauline Oliveros Copy Share Image
Everybody improvises their way through every day. And so I do that with music. — Pauline Oliveros Copy Share Image
In the '60s my friends were interested and we were hearing electronic music coming in on community radio from Europe, so that's where it… — Pauline Oliveros Copy Share Image
[Students] they did the sonic meditations, I would observe them in their ensembles, and the ensembles improved incredibly. So I knew I had something… — Pauline Oliveros Copy Share Image
It was around the end of the '60s, when I began to compose sonic meditations. Before that I was doing a lot of reflecting… — Pauline Oliveros Copy Share Image
I got very interested in attention and awareness and how to achieve certain states through understanding this. — Pauline Oliveros Copy Share Image
I try to influence this improvisation in two ways. One is by centering on reflections, in both senses of the word: acoustic reflections as… — Pauline Oliveros Copy Share Image
People's experiences are all different, and you don't know what the person experienced. They know, but you don't, so I think it's important to… — Pauline Oliveros Copy Share Image
I noticed you could monitor the recording that you're making, but you could also monitor the playback head. There's a little distance between them… — Pauline Oliveros Copy Share Image
First of all I had to teach myself how to use the studio because there wasn't any classes in electronic music. So I'd stay… — Pauline Oliveros Copy Share Image