After a long section of the glass playing, you'll hear an instrumental sound emerge from some undisclosed location. There'll be a lot… — Pauline Oliveros Copy Share Image
The sound that I play is delayed, it's modified, and it's modulated. It's an intelligent system; it's happening now. — Pauline Oliveros Copy Share Image
The sound and just the fact that it was different from the piano, yet it still had some familiarity [made my fascinated… — Pauline Oliveros Copy Share Image
Before that, an 8-bit recording was pixelated; it was really bad. It didn't serve what I was doing, which was recording live… — Pauline Oliveros Copy Share Image
I try to influence this improvisation in two ways. One is by centering on reflections, in both senses of the word: acoustic… — Pauline Oliveros Copy Share Image
First of all I had to teach myself how to use the studio because there wasn't any classes in electronic music. So… — Pauline Oliveros Copy Share Image
The base skill is listening: how I'm listening to the material, how I'm listening to the space. With electronic sound, it's a… — Pauline Oliveros Copy Share Image
I'm very interested in vertical space.I want the players to listen to their sound in such a way that they hear the… — Pauline Oliveros Copy Share Image
My first tape piece was made with that Sears Roebuck recorder. I modified sound using cardboard tubes with a microphone in the… — Pauline Oliveros Copy Share Image
I noticed you could monitor the recording that you're making, but you could also monitor the playback head. There's a little distance… — Pauline Oliveros Copy Share Image
I became interested in the delay, having sounds recorded and played back and then come back. I did many different configurations of… — Pauline Oliveros Copy Share Image
There are these sounds that come from outside that work really well if you're listening. If you're not listening, if you're blocking… — Pauline Oliveros Copy Share Image
When I am composing, the sounds are leading me to the way I want them to organize. — Pauline Oliveros Copy Share Image
Deep listening is experiencing heightened awareness or expanded awareness of sound and of silence, of quiet, and of sounding - making sounds. — Pauline Oliveros Copy Share Image
It takes time because the habitual response to that is very deep. It goes back to our earliest responses as babies. You… — Pauline Oliveros Copy Share Image
Deep Listening is listening in every possible way to everything possible to hear no matter what you are doing. Such intense listening… — Pauline Oliveros Copy Share Image
One day I decided I would like to put a record into my system. So I picked up a record that was lying on… — Pauline Oliveros Copy Share Image
I can't really deal with buttons. And that's what I keep saying, "Okay, I can't push buttons, because that means I have to take… — Pauline Oliveros Copy Share Image
There is a book called San Francisco Tape Music Centre:1960s Counterculture and the Avant-Garde and this book describes everything that you want to know… — Pauline Oliveros Copy Share Image
Everybody improvises their way through every day. And so I do that with music. — Pauline Oliveros Copy Share Image
In the '60s my friends were interested and we were hearing electronic music coming in on community radio from Europe, so that's where it… — Pauline Oliveros Copy Share Image
[Students] they did the sonic meditations, I would observe them in their ensembles, and the ensembles improved incredibly. So I knew I had something… — Pauline Oliveros Copy Share Image
It was around the end of the '60s, when I began to compose sonic meditations. Before that I was doing a lot of reflecting… — Pauline Oliveros Copy Share Image
I got very interested in attention and awareness and how to achieve certain states through understanding this. — Pauline Oliveros Copy Share Image
I try to influence this improvisation in two ways. One is by centering on reflections, in both senses of the word: acoustic reflections as… — Pauline Oliveros Copy Share Image
People's experiences are all different, and you don't know what the person experienced. They know, but you don't, so I think it's important to… — Pauline Oliveros Copy Share Image
I noticed you could monitor the recording that you're making, but you could also monitor the playback head. There's a little distance between them… — Pauline Oliveros Copy Share Image
First of all I had to teach myself how to use the studio because there wasn't any classes in electronic music. So I'd stay… — Pauline Oliveros Copy Share Image
![“The sound and just the fact that it was different from the piano, yet it still had some familiarity [made my fascinated with accordion].” quote by Pauline Oliveros](https://sms4smile.com/quotes/img-quotes/23c/pauline-oliveros-8481_accordions_the-sound-and-just-the-fact-that-it-was_971192.jpg)
![“My first tape piece was made with that Sears Roebuck recorder. I modified sound using cardboard tubes with a microphone in the end to filter the sound. I had a wooden apple box with a Piezo [contact] mic and little objects that I could amplify on the box. I used the bathtub for reverberation.” quote by Pauline Oliveros](https://sms4smile.com/quotes/img-quotes/196/pauline-oliveros-8481_amplify_my-first-tape-piece-was-made-with-that-s_1181946.jpg)
![“[Students] they did the sonic meditations, I would observe them in their ensembles, and the ensembles improved incredibly. So I knew I had something to do and something to say.” quote by Pauline Oliveros](https://sms4smile.com/quotes/img-quotes/7b3/pauline-oliveros-8481_ensemble_students-they-did-the-sonic-meditations_223257.jpg)
