When we met, my agenda was "Get Elle Fanning." I believe Elle's was "Get the role." But we didn't know that. — Nicolas Winding Refn Copy Share Image
Ironically, even the fashion in New York or Paris or Milan or whatever, or music in Berlin, or art in, I don't… — Nicolas Winding Refn Copy Share Image
The conversations about a film are an example of success because then you know whatever you've done has resonated. — Nicolas Winding Refn Copy Share Image
I'm not a walking encyclopedia. I'm not one of those types that knows every single film ever made or can recite every… — Nicolas Winding Refn Copy Share Image
I don't know if power seduces less or more. I think power is a constant evolving mechanism that, since the dawn of… — Nicolas Winding Refn Copy Share Image
The problem with cinema nowadays is that it's a math problem. People can read a film mathematically; they know when this comes… — Nicolas Winding Refn Copy Share Image
Film works when a director and a star have a connection. You know, when there's something telekinetic between them, there's a partnership,… — Nicolas Winding Refn Copy Share Image
I never look at the internet because then you just have nothing else to do but just look. Most generally, and even… — Nicolas Winding Refn Copy Share Image
I'm a fetish filmmaker, in that I don't know why I do what I do, I just like to see things. When… — Nicolas Winding Refn Copy Share Image
L.A. is, on one hand, very mysterious; it's very modern. It's a mysterious place - it's a haunting place - and everything in our… — Nicolas Winding Refn Copy Share Image
The digital revolution is forever. They put importance on that option as well. With Amazon, you're getting the best of both worlds, with a… — Nicolas Winding Refn Copy Share Image
I've always felt that I was from the future because the future is really not about what you make but what you stand for. — Nicolas Winding Refn Copy Share Image
Art thrives on obstacles. The bigger the obstacle, the better the drama. — Nicolas Winding Refn Copy Share Image
Elle Fanning was fifteen when we started [The Neon Demon]. She turned seventeen during the shoot. Four weeks before Cannes, she turned eighteen. She… — Nicolas Winding Refn Copy Share Image
The casting of any film is around 60% of the film, but it's also about the right casting insight. It's a bit like a… — Nicolas Winding Refn Copy Share Image
How can creativity be bad? You can have, "I liked it" or "I didn't like it," but, in the end, it's an individual experience.… — Nicolas Winding Refn Copy Share Image
I always approach every film I make as if it was going to be the last. So if I'm going to go out, I'm… — Nicolas Winding Refn Copy Share Image
I'm a huge admirer of Keanu. I think he's absolutely extraordinary. — Nicolas Winding Refn Copy Share Image
Sometimes I just play the theme from Arthur. It reminds me of my childhood in New York and I just love it. — Nicolas Winding Refn Copy Share Image
![“Elle Fanning was fifteen when we started [The Neon Demon]. She turned seventeen during the shoot. Four weeks before Cannes, she turned eighteen. She had her prom at Cannes.” quote by Nicolas Winding Refn](https://sms4smile.com/quotes/img-quotes/863/nicolas-winding-refn-1480_cannes_elle-fanning-was-fifteen-when-we-started_94502.jpg)
