L.A. is, on one hand, very mysterious; it's very modern. It's a mysterious place - it's a haunting place - and everything… — Nicolas Winding Refn Copy Share Image
Ironically, even the fashion in New York or Paris or Milan or whatever, or music in Berlin, or art in, I don't… — Nicolas Winding Refn Copy Share Image
I very much enjoy my freedom creatively but I also would love to make one of those big Hollywood films that costs… — Nicolas Winding Refn Copy Share Image
Oh, I love L.A. It's not so much about Hollywood. I love everything in L.A. — Nicolas Winding Refn Copy Share Image
I thought it would be interesting to try something in Hollywood after a movie like 'Valhalla Rising,' which I was really pleased… — Nicolas Winding Refn Copy Share Image
Coming to Hollywood, you always hear the horror stories, but I had good people around me who maybe didn't understand what I… — Nicolas Winding Refn Copy Share Image
I never desired to really go to Hollywood and make films, and purely because I want my entire control, which I'm used… — Nicolas Winding Refn Copy Share Image
I was in Hollywood. It's the mythology heart. It's where all the European films came in the '30s and '40s. The marriage… — Nicolas Winding Refn Copy Share Image
I don't really make films in Denmark. 'Bronson' was shot in Rottingham, 'Valhalla Rising' was made in Glasgow, and 'Drive' was made… — Nicolas Winding Refn Copy Share Image
Hollywood is Hollywood. It'll never change, although it does go through its own transformations. I think that there's this obsessiveness with making… — Nicolas Winding Refn Copy Share Image
L.A. is, on one hand, very mysterious; it's very modern. It's a mysterious place - it's a haunting place - and everything in our… — Nicolas Winding Refn Copy Share Image
The digital revolution is forever. They put importance on that option as well. With Amazon, you're getting the best of both worlds, with a… — Nicolas Winding Refn Copy Share Image
I've always felt that I was from the future because the future is really not about what you make but what you stand for. — Nicolas Winding Refn Copy Share Image
Art thrives on obstacles. The bigger the obstacle, the better the drama. — Nicolas Winding Refn Copy Share Image
Elle Fanning was fifteen when we started [The Neon Demon]. She turned seventeen during the shoot. Four weeks before Cannes, she turned eighteen. She… — Nicolas Winding Refn Copy Share Image
The casting of any film is around 60% of the film, but it's also about the right casting insight. It's a bit like a… — Nicolas Winding Refn Copy Share Image
How can creativity be bad? You can have, "I liked it" or "I didn't like it," but, in the end, it's an individual experience.… — Nicolas Winding Refn Copy Share Image
I always approach every film I make as if it was going to be the last. So if I'm going to go out, I'm… — Nicolas Winding Refn Copy Share Image
I'm a huge admirer of Keanu. I think he's absolutely extraordinary. — Nicolas Winding Refn Copy Share Image
Sometimes I just play the theme from Arthur. It reminds me of my childhood in New York and I just love it. — Nicolas Winding Refn Copy Share Image
![“Elle Fanning was fifteen when we started [The Neon Demon].…” quote by Nicolas Winding Refn](https://sms4smile.com/quotes/img-quotes/863/nicolas-winding-refn-1480_cannes_elle-fanning-was-fifteen-when-we-started_94502.jpg)
