I sometimes play different kinds of music to see where the performers end up. I play one genre. Then something else when… — Nicolas Winding Refn Copy Share Image
The kind of group mentality that we had lived under since the Second World War is starting to erupt, and the craving… — Nicolas Winding Refn Copy Share Image
Filmmaking is like any kind of art form. You have to try to figure it out, and you're going to do that… — Nicolas Winding Refn Copy Share Image
Filmmaking is like any kind of art form. You have to try to figure it out, and you're going to do that… — Nicolas Winding Refn Copy Share Image
Whenever I make a movie, I always try to figure out what kind of music it would be. — Nicolas Winding Refn Copy Share Image
I've done collaborations in all my movies, and I think it's part of what I enjoy about the process. This kind of… — Nicolas Winding Refn Copy Share Image
[Liv Corfixen] very much part of my life in that she's everything in my life and we found a way to use… — Nicolas Winding Refn Copy Share Image
I love rock ballads, and I'm kind of in emotional turmoil, being ill and high, so I start to sing to the… — Nicolas Winding Refn Copy Share Image
Financing films that are demanding is a task, in itself. Because people are so afraid of taking any kind of chance, because… — Nicolas Winding Refn Copy Share Image
L.A. is, on one hand, very mysterious; it's very modern. It's a mysterious place - it's a haunting place - and everything in our… — Nicolas Winding Refn Copy Share Image
The digital revolution is forever. They put importance on that option as well. With Amazon, you're getting the best of both worlds, with a… — Nicolas Winding Refn Copy Share Image
I've always felt that I was from the future because the future is really not about what you make but what you stand for. — Nicolas Winding Refn Copy Share Image
Art thrives on obstacles. The bigger the obstacle, the better the drama. — Nicolas Winding Refn Copy Share Image
Elle Fanning was fifteen when we started [The Neon Demon]. She turned seventeen during the shoot. Four weeks before Cannes, she turned eighteen. She… — Nicolas Winding Refn Copy Share Image
The casting of any film is around 60% of the film, but it's also about the right casting insight. It's a bit like a… — Nicolas Winding Refn Copy Share Image
How can creativity be bad? You can have, "I liked it" or "I didn't like it," but, in the end, it's an individual experience.… — Nicolas Winding Refn Copy Share Image
I always approach every film I make as if it was going to be the last. So if I'm going to go out, I'm… — Nicolas Winding Refn Copy Share Image
I'm a huge admirer of Keanu. I think he's absolutely extraordinary. — Nicolas Winding Refn Copy Share Image
Sometimes I just play the theme from Arthur. It reminds me of my childhood in New York and I just love it. — Nicolas Winding Refn Copy Share Image
![“[Liv Corfixen] very much part of my life in that she's everything in my life and we found a way to use each other much more on a creative level as well. She was kind of the idea for this movie so I wanted to acknowledge that. She gave me the original idea to make the film.” quote by Nicolas Winding Refn](https://sms4smile.com/quotes/img-quotes/217/nicolas-winding-refn-1480_acknowledge_liv-corfixen-very-much-part-of-my-life-i_1465852.jpg)
![“Elle Fanning was fifteen when we started [The Neon Demon]. She turned seventeen during the shoot. Four weeks before Cannes, she turned eighteen. She had her prom at Cannes.” quote by Nicolas Winding Refn](https://sms4smile.com/quotes/img-quotes/863/nicolas-winding-refn-1480_cannes_elle-fanning-was-fifteen-when-we-started_94502.jpg)
