Elle Fanning was fifteen when we started [The Neon Demon]. She turned seventeen during the shoot. Four weeks before Cannes, she turned… — Nicolas Winding Refn Copy Share Image
[The Neon Demon] was more my own fascination with beauty. It's my children's fascination beauty. — Nicolas Winding Refn Copy Share Image
The first person I ever described the film [The Neon Demon] to was Christina Hendricks [who has a cameo in the movie].… — Nicolas Winding Refn Copy Share Image
My movie [The Neon Demon] is a hyper-version of the obsession with beauty. As this crazy obsession grows, longevity does not. Everything… — Nicolas Winding Refn Copy Share Image
It was a very comfortable and personal relationship [Cliff Martinez ].'The Neon Demon'is our third movie and the music has never been… — Nicolas Winding Refn Copy Share Image
In "Drive," there's a heightened male edge. In "Only God Forgives," it was almost crawling back into the womb of the mother.… — Nicolas Winding Refn Copy Share Image
I just think it was time [in THe Neon Demon]to do a film about women. But not just women, I wanted to… — Nicolas Winding Refn Copy Share Image
Jenna Malone was a very important piece of how the film [The Neon Demon] turned out. — Nicolas Winding Refn Copy Share Image
L.A. is, on one hand, very mysterious; it's very modern. It's a mysterious place - it's a haunting place - and everything in our… — Nicolas Winding Refn Copy Share Image
The digital revolution is forever. They put importance on that option as well. With Amazon, you're getting the best of both worlds, with a… — Nicolas Winding Refn Copy Share Image
I've always felt that I was from the future because the future is really not about what you make but what you stand for. — Nicolas Winding Refn Copy Share Image
Art thrives on obstacles. The bigger the obstacle, the better the drama. — Nicolas Winding Refn Copy Share Image
Elle Fanning was fifteen when we started [The Neon Demon]. She turned seventeen during the shoot. Four weeks before Cannes, she turned eighteen. She… — Nicolas Winding Refn Copy Share Image
The casting of any film is around 60% of the film, but it's also about the right casting insight. It's a bit like a… — Nicolas Winding Refn Copy Share Image
How can creativity be bad? You can have, "I liked it" or "I didn't like it," but, in the end, it's an individual experience.… — Nicolas Winding Refn Copy Share Image
I always approach every film I make as if it was going to be the last. So if I'm going to go out, I'm… — Nicolas Winding Refn Copy Share Image
I'm a huge admirer of Keanu. I think he's absolutely extraordinary. — Nicolas Winding Refn Copy Share Image
Sometimes I just play the theme from Arthur. It reminds me of my childhood in New York and I just love it. — Nicolas Winding Refn Copy Share Image