A work of art is itself an object, first of all, and so manipulation is unavoidable: it's a prerequisite. But I needed… — Gerhard Richter Copy Share Image
The photograph is the only picture that can truly convey information, even if it is technically faulty and the object can barely… — Gerhard Richter Copy Share Image
The urge to break with a tradition is only appropriate when you're dealing with an outdated, troublesome tradition: I never really thought… — Gerhard Richter Copy Share Image
I began in 1976, with small abstract paintings that allowed me to do what I had never let myself do: put something… — Gerhard Richter Copy Share Image
How could one be in this world without feeling dismayed by it? Even if one paints flowers and gingerbread. — Gerhard Richter Copy Share Image
The painter sees the semblance of things and repeats it. That is, without fabricating the things himself, he fabricates their semblance; and,… — Gerhard Richter Copy Share Image
If the abstract paintings show my reality, then the landscapes and still-lifes show my yearning. — Gerhard Richter Copy Share Image
I never worked at painting as if it were a job; it was always out of interest or for fun, a desire… — Gerhard Richter Copy Share Image
If I don't know what's coming - that is, if I have no hard-and-fast image, as I have with a photographic original… — Gerhard Richter Copy Share Image
I believe I am looking for rightness. My work has so much to do with reality that I wanted to have a… — Gerhard Richter Copy Share Image
Form is all we have to help us cope with fundamentally chaotic facts and assaults. Formulating something is a great start. I… — Gerhard Richter Copy Share Image
Architecture was, or is, a kind of hobby, an inclination I have to fiddling around and building things. Putting up shelves or… — Gerhard Richter Copy Share Image
Of course I constantly despair at my own incapacity, at the impossibility of ever accomplishing anything, of painting a valid, true picture… — Gerhard Richter Copy Share Image
If, while I'm painting, I distort or destroy a motif, it is not a planned or conscious act, but rather it has… — Gerhard Richter Copy Share Image
Art shows us how to see things that are constructive and good, and to be an active part of that. — Gerhard Richter Copy Share Image
They are specific places I have discovered here and there when I am on the road to take photos. I go especially to take… — Gerhard Richter Copy Share Image
To me, grey is the welcome and only possible equivalent for indifference, noncommitment, absence of opinion, absence of shape. But grey, like formlessness and… — Gerhard Richter Copy Share Image
Now that we do not have priests and philosophers any more, artists are the most important people in the world. — Gerhard Richter Copy Share Image
Yes, we were amazed when that happened. It was a real joke to us. Konrad Lueg and I did a Happening, and we used… — Gerhard Richter Copy Share Image
A work of art is itself an object, first of all, and so manipulation is unavoidable: it's a prerequisite. But I needed the greater… — Gerhard Richter Copy Share Image
The photograph is the only picture that can truly convey information, even if it is technically faulty and the object can barely be identified.… — Gerhard Richter Copy Share Image
Perhaps the choice is a negative one, in that I was trying to avoid everything that touched on well-known issues - or any issues… — Gerhard Richter Copy Share Image
Gray is the color... the most important of all... absent of opinion, nothing, neither/nor. — Gerhard Richter Copy Share Image
You can compare it to dreams: you have a very specific and individual pictorial language that you either accept or that you can translate… — Gerhard Richter Copy Share Image
What attracted me about my mirrors was the idea of having nothing manipulated in them. A piece of bought mirror. Just hung there, without… — Gerhard Richter Copy Share Image
