To me, grey is the welcome and only possible equivalent for indifference, noncommitment, absence of opinion, absence of shape. But grey, like… — Gerhard Richter Copy Share Image
A work of art is itself an object, first of all, and so manipulation is unavoidable: it's a prerequisite. But I needed… — Gerhard Richter Copy Share Image
I don't think I can do this - painting under observation. It's the worst thing there is, worse than being in the… — Gerhard Richter Copy Share Image
I believe that you always have to believe. It's the only way; after all we both believe that we will do this… — Gerhard Richter Copy Share Image
This superficial blurring has something to do with the incapacity I have just mentioned. I can make no statement about reality clearer… — Gerhard Richter Copy Share Image
Painting pictures is simply the official, the daily work, the profession, and in the case of the watercolours I can sooner afford… — Gerhard Richter Copy Share Image
I'm never really sure what that word means, but however inaccurately I use it, 'classical' was always my ideal, as long as… — Gerhard Richter Copy Share Image
I'm trying to paint a picture of what I have seen and what moved me, as well as I can. That's all. — Gerhard Richter Copy Share Image
Painting is my profession, because it has always been the thing that interested me most. I'm of a certain age, I come… — Gerhard Richter Copy Share Image
When I begin, theoretically and practically I can smear anything I want on the canvas. Then there's a condition I have to… — Gerhard Richter Copy Share Image
Nature/Structure. There is no more to say. In my pictures I reduce to that. But 'reduce' is the wrong word, because these… — Gerhard Richter Copy Share Image
But I would like to reach the point where I could cut up an illustrated magazine at random and see to it… — Gerhard Richter Copy Share Image
And then the work bears a strong sense of leave-taking for me personally. It ends the work I began in the 1960s… — Gerhard Richter Copy Share Image
I don't how I can describe the quality that is only found in art (be it music, literature, painting, or whatever), this… — Gerhard Richter Copy Share Image
Well, the beginning is actually quite easy, because I can still be quite free about the way I handle things - colours,… — Gerhard Richter Copy Share Image
Art shows us how to see things that are constructive and good, and to be an active part of that. — Gerhard Richter Copy Share Image
They are specific places I have discovered here and there when I am on the road to take photos. I go especially to take… — Gerhard Richter Copy Share Image
To me, grey is the welcome and only possible equivalent for indifference, noncommitment, absence of opinion, absence of shape. But grey, like formlessness and… — Gerhard Richter Copy Share Image
Now that we do not have priests and philosophers any more, artists are the most important people in the world. — Gerhard Richter Copy Share Image
Yes, we were amazed when that happened. It was a real joke to us. Konrad Lueg and I did a Happening, and we used… — Gerhard Richter Copy Share Image
A work of art is itself an object, first of all, and so manipulation is unavoidable: it's a prerequisite. But I needed the greater… — Gerhard Richter Copy Share Image
The photograph is the only picture that can truly convey information, even if it is technically faulty and the object can barely be identified.… — Gerhard Richter Copy Share Image
Perhaps the choice is a negative one, in that I was trying to avoid everything that touched on well-known issues - or any issues… — Gerhard Richter Copy Share Image
Gray is the color... the most important of all... absent of opinion, nothing, neither/nor. — Gerhard Richter Copy Share Image
You can compare it to dreams: you have a very specific and individual pictorial language that you either accept or that you can translate… — Gerhard Richter Copy Share Image
What attracted me about my mirrors was the idea of having nothing manipulated in them. A piece of bought mirror. Just hung there, without… — Gerhard Richter Copy Share Image
