Cage is much more disciplined. He made chance a method and used it in constructive ways; I never did that. Everything here… — Gerhard Richter Copy Share Image
The photograph is the most perfect picture. It does not change; it is absolute, and therefore autonomous, unconditional, devoid of style. Both… — Gerhard Richter Copy Share Image
I don't believe in the reality of painting, so I use different styles like clothes: it's a way to disguise myself. — Gerhard Richter Copy Share Image
It's our culture, Christian history, that's what formed me. Even as an atheist, I believe. We're just built that way. — Gerhard Richter Copy Share Image
I choose depending on the way I feel; randomly, in other words. When I haven't done anything for a long time, I… — Gerhard Richter Copy Share Image
The truth... When they have a similar structure to and are organized in as truthful a way as nature. When I look… — Gerhard Richter Copy Share Image
Perhaps the choice is a negative one, in that I was trying to avoid everything that touched on well-known issues - or… — Gerhard Richter Copy Share Image
I began in 1976, with small abstract paintings that allowed me to do what I had never let myself do: put something… — Gerhard Richter Copy Share Image
I believe that you always have to believe. It's the only way; after all we both believe that we will do this… — Gerhard Richter Copy Share Image
My landscapes are not only beautiful, or nostalgic, with a Romantic or classical suggestion of lost Paradises, but above all 'untruthful.' By… — Gerhard Richter Copy Share Image
A work of art is itself an object, first of all, and so manipulation is unavoidable: it's a prerequisite. But I needed… — Gerhard Richter Copy Share Image
I started doing 'figures', then, one day, all of a sudden, I started doing abstraction. And then I started doing both. But… — Gerhard Richter Copy Share Image
Suddenly, I saw it in a new way, as a picture that offered me a new view, free of all the conventional… — Gerhard Richter Copy Share Image
If, while I'm painting, I distort or destroy a motif, it is not a planned or conscious act, but rather it has… — Gerhard Richter Copy Share Image
Well, the beginning is actually quite easy, because I can still be quite free about the way I handle things - colours,… — Gerhard Richter Copy Share Image
Almost every work of art is an analogy. When I make a representation of something, this too is an analogy to what… — Gerhard Richter Copy Share Image
Grey. It makes no statement whatever; it evokes neither feelings nor associations: it is really neither visible nor invisible. Its inconspicuousness gives… — Gerhard Richter Copy Share Image
Art shows us how to see things that are constructive and good, and to be an active part of that. — Gerhard Richter Copy Share Image
They are specific places I have discovered here and there when I am on the road to take photos. I go especially to take… — Gerhard Richter Copy Share Image
To me, grey is the welcome and only possible equivalent for indifference, noncommitment, absence of opinion, absence of shape. But grey, like formlessness and… — Gerhard Richter Copy Share Image
Now that we do not have priests and philosophers any more, artists are the most important people in the world. — Gerhard Richter Copy Share Image
Yes, we were amazed when that happened. It was a real joke to us. Konrad Lueg and I did a Happening, and we used… — Gerhard Richter Copy Share Image
A work of art is itself an object, first of all, and so manipulation is unavoidable: it's a prerequisite. But I needed the greater… — Gerhard Richter Copy Share Image
The photograph is the only picture that can truly convey information, even if it is technically faulty and the object can barely be identified.… — Gerhard Richter Copy Share Image
Perhaps the choice is a negative one, in that I was trying to avoid everything that touched on well-known issues - or any issues… — Gerhard Richter Copy Share Image
Gray is the color... the most important of all... absent of opinion, nothing, neither/nor. — Gerhard Richter Copy Share Image
You can compare it to dreams: you have a very specific and individual pictorial language that you either accept or that you can translate… — Gerhard Richter Copy Share Image
What attracted me about my mirrors was the idea of having nothing manipulated in them. A piece of bought mirror. Just hung there, without… — Gerhard Richter Copy Share Image
