I want pictorial content without sentiment, but I want it as human as possible — Gerhard Richter Copy Share Image
When I begin, theoretically and practically I can smear anything I want on the canvas. Then there's a condition I have to… — Gerhard Richter Copy Share Image
Weeks go by, and I dont paint until finally I cant stand it any longer. I get fed up. I almost dont… — Gerhard Richter Copy Share Image
Weeks go by, and I don't paint until finally I can't stand it any longer. I get fed up. I almost don't… — Gerhard Richter Copy Share Image
But it is also untrue that I have nothing specific in mind. As with my landscapes: I see countless landscapes, photograph barely… — Gerhard Richter Copy Share Image
I think everybody starts out by seeing a few works of art and wanting to do something like them. You want to… — Gerhard Richter Copy Share Image
Only about one per cent of my paintings show family members. Do they help me deal with problems? It's likely that these… — Gerhard Richter Copy Share Image
I've never found anything to be lacking in a blurry canvas. Quite the contrary: you can see many more things in it… — Gerhard Richter Copy Share Image
I pursue no objectives, no systems, no tendency; I have no program, no style, no direction. I have no time for specialized… — Gerhard Richter Copy Share Image
Art shows us how to see things that are constructive and good, and to be an active part of that. — Gerhard Richter Copy Share Image
They are specific places I have discovered here and there when I am on the road to take photos. I go especially to take… — Gerhard Richter Copy Share Image
To me, grey is the welcome and only possible equivalent for indifference, noncommitment, absence of opinion, absence of shape. But grey, like formlessness and… — Gerhard Richter Copy Share Image
Now that we do not have priests and philosophers any more, artists are the most important people in the world. — Gerhard Richter Copy Share Image
Yes, we were amazed when that happened. It was a real joke to us. Konrad Lueg and I did a Happening, and we used… — Gerhard Richter Copy Share Image
A work of art is itself an object, first of all, and so manipulation is unavoidable: it's a prerequisite. But I needed the greater… — Gerhard Richter Copy Share Image
The photograph is the only picture that can truly convey information, even if it is technically faulty and the object can barely be identified.… — Gerhard Richter Copy Share Image
Perhaps the choice is a negative one, in that I was trying to avoid everything that touched on well-known issues - or any issues… — Gerhard Richter Copy Share Image
Gray is the color... the most important of all... absent of opinion, nothing, neither/nor. — Gerhard Richter Copy Share Image
You can compare it to dreams: you have a very specific and individual pictorial language that you either accept or that you can translate… — Gerhard Richter Copy Share Image
What attracted me about my mirrors was the idea of having nothing manipulated in them. A piece of bought mirror. Just hung there, without… — Gerhard Richter Copy Share Image
