To me, grey is the welcome and only possible equivalent for indifference, noncommitment, absence of opinion, absence of shape. But grey, like… — Gerhard Richter Copy Share Image
What attracted me about my mirrors was the idea of having nothing manipulated in them. A piece of bought mirror. Just hung… — Gerhard Richter Copy Share Image
There was no special event that made me decide. I had collected some photos and the idea was in the back of… — Gerhard Richter Copy Share Image
It is a danger to wait around for an idea to occur to you. You have to find the idea. — Gerhard Richter Copy Share Image
I didn't actually know what the protesters in the West really wanted. It was fantastic here, so much freedom, and that was… — Gerhard Richter Copy Share Image
Contact with like-minded painters - a group means a great deal to me: nothing comes in isolation. We have worked out our… — Gerhard Richter Copy Share Image
Pictures are the idea in visual or pictorial form; and the idea has to be legible, both in the individual picture and… — Gerhard Richter Copy Share Image
I first came up with the idea for the colour-chart pictures back in 1966, and my preoccupation with the topic culminated in… — Gerhard Richter Copy Share Image
A lot of different things had to come together over the years, accumulated experiences of a general and personal nature, before the… — Gerhard Richter Copy Share Image
Art shows us how to see things that are constructive and good, and to be an active part of that. — Gerhard Richter Copy Share Image
They are specific places I have discovered here and there when I am on the road to take photos. I go especially to take… — Gerhard Richter Copy Share Image
To me, grey is the welcome and only possible equivalent for indifference, noncommitment, absence of opinion, absence of shape. But grey, like formlessness and… — Gerhard Richter Copy Share Image
Now that we do not have priests and philosophers any more, artists are the most important people in the world. — Gerhard Richter Copy Share Image
Yes, we were amazed when that happened. It was a real joke to us. Konrad Lueg and I did a Happening, and we used… — Gerhard Richter Copy Share Image
A work of art is itself an object, first of all, and so manipulation is unavoidable: it's a prerequisite. But I needed the greater… — Gerhard Richter Copy Share Image
The photograph is the only picture that can truly convey information, even if it is technically faulty and the object can barely be identified.… — Gerhard Richter Copy Share Image
Perhaps the choice is a negative one, in that I was trying to avoid everything that touched on well-known issues - or any issues… — Gerhard Richter Copy Share Image
Gray is the color... the most important of all... absent of opinion, nothing, neither/nor. — Gerhard Richter Copy Share Image
You can compare it to dreams: you have a very specific and individual pictorial language that you either accept or that you can translate… — Gerhard Richter Copy Share Image
What attracted me about my mirrors was the idea of having nothing manipulated in them. A piece of bought mirror. Just hung there, without… — Gerhard Richter Copy Share Image