Perhaps the choice is a negative one, in that I was trying to avoid everything that touched on well-known issues - or… — Gerhard Richter Copy Share Image
Well, I don't believe there are subjects that can't be painted, but there are a lot of things that I personally can't… — Gerhard Richter Copy Share Image
It can be a work by Mondrian, a piece of music by Schönberg or Mozart, a painting by Leonardo, Barnett Newman or… — Gerhard Richter Copy Share Image
The desire to please is maligned, unfairly. There are many sides to it. First of all, pictures have to arouse interest before… — Gerhard Richter Copy Share Image
I do not mistrust reality, of which I know next to nothing, but I am suspicious regarding the image of reality which… — Gerhard Richter Copy Share Image
... landscapes or still-lifes I paint in between the abstract works; they constitute about one-tenth of my production. On the one hand… — Gerhard Richter Copy Share Image
I'm trying to paint a picture of what I have seen and what moved me, as well as I can. That's all. — Gerhard Richter Copy Share Image
Form is all we have to help us cope with fundamentally chaotic facts and assaults. Formulating something is a great start. I… — Gerhard Richter Copy Share Image
As I see it, all of them - Tachists, Action Painters, Informel artists, and the rest - are only part of an… — Gerhard Richter Copy Share Image
Well, the beginning is actually quite easy, because I can still be quite free about the way I handle things - colours,… — Gerhard Richter Copy Share Image
Art shows us how to see things that are constructive and good, and to be an active part of that. — Gerhard Richter Copy Share Image
They are specific places I have discovered here and there when I am on the road to take photos. I go especially to take… — Gerhard Richter Copy Share Image
To me, grey is the welcome and only possible equivalent for indifference, noncommitment, absence of opinion, absence of shape. But grey, like formlessness and… — Gerhard Richter Copy Share Image
Now that we do not have priests and philosophers any more, artists are the most important people in the world. — Gerhard Richter Copy Share Image
Yes, we were amazed when that happened. It was a real joke to us. Konrad Lueg and I did a Happening, and we used… — Gerhard Richter Copy Share Image
A work of art is itself an object, first of all, and so manipulation is unavoidable: it's a prerequisite. But I needed the greater… — Gerhard Richter Copy Share Image
The photograph is the only picture that can truly convey information, even if it is technically faulty and the object can barely be identified.… — Gerhard Richter Copy Share Image
Perhaps the choice is a negative one, in that I was trying to avoid everything that touched on well-known issues - or any issues… — Gerhard Richter Copy Share Image
Gray is the color... the most important of all... absent of opinion, nothing, neither/nor. — Gerhard Richter Copy Share Image
You can compare it to dreams: you have a very specific and individual pictorial language that you either accept or that you can translate… — Gerhard Richter Copy Share Image
What attracted me about my mirrors was the idea of having nothing manipulated in them. A piece of bought mirror. Just hung there, without… — Gerhard Richter Copy Share Image
