Money is something that can be measured; art is not. It's all subjective. — Jerry Saltz Copy Share Image
In art, scandal is a false narrative, a smoke screen that camouflages rather than reveals. When we don't know what we're seeing,… — Jerry Saltz Copy Share Image
Make an enemy of jealousy and envy. As fast and soon as you can…. The art world is high school with money. — Jerry Saltz Copy Share Image
Among living artists, George Condo may be the most embraced by the powers that be. — Jerry Saltz Copy Share Image
The price of a work of art has nothing to do with what the work of art is, can do, or is… — Jerry Saltz Copy Share Image
Megacollectors suppose they can enter art history by spending astronomical amounts. — Jerry Saltz Copy Share Image
All great contemporary artists, schooled or not, are essentially self-taught and are de-skilling like crazy. — Jerry Saltz Copy Share Image
Maybe the museum [of Arts and Design ]needs to follow the advice of its acronym and not be afraid to go a… — Jerry Saltz Copy Share Image
Sometimes good art jumps out at me; most of the time I see bad art, or see nothing at all and just… — Jerry Saltz Copy Share Image
Early-twentieth-century abstraction is art's version of Einstein's Theory of Relativity. It's the idea that changed everything everywhere: quickly, decisively, for good. — Jerry Saltz Copy Share Image
Batty as it sounds, subject and style may choose artists, through some unfathomable cosmic means. How else to explain that even artists… — Jerry Saltz Copy Share Image
Many museums are drawing audiences with art that is ostensibly more entertaining than stuff that just sits and invites contemplation. Interactivity, gizmos,… — Jerry Saltz Copy Share Image
All great contemporary artists, schooled or not, are essentially self-taught and are de-skilling like crazy. I don't look for skill in art...Skill… — Jerry Saltz Copy Share Image
Mission accomplished. The Museum of Modern Art's wide-open, tall-ceilinged, super-reinforced second floor was for all intents and purposes built to accommodate monumental… — Jerry Saltz Copy Share Image
Billions of photos are shot every year, and about the toughest thing a photographer can do is invent an original, deeply personal,… — Jerry Saltz Copy Share Image
I don't want to hear at all what the artist thinks about his art. And I'm not writing for the artist. I'm… — Jerry Saltz Copy Share Image
Probably only an art-worlder like me could assign deeper meaning to something as simple and silly as Tebowing. But, to us, anytime… — Jerry Saltz Copy Share Image
All of Koons's best art - the encased vacuum cleaners, the stainless-steel Rabbit (the late-twentieth century's signature work of Simulationist sculpture), the… — Jerry Saltz Copy Share Image
While it may be a really trying, weird time for the art world, I see good work all the time. If you… — Jerry Saltz Copy Share Image
'Summer of Love: Art of the Psychedelic Era,' the Whitney Museum's 40th-anniversary trip down counterculture memory lane, provides moments of buzzy fun,… — Jerry Saltz Copy Share Image
Any critic will tell you that there are a few dealers where you get a little bit scared to go into their… — Jerry Saltz Copy Share Image
The reason I love blogs so much right now is that I am seeing more critical voices appear, and that's kind of… — Jerry Saltz Copy Share Image
A saboteur in the house of art and a comedienne in the house of art theory, Lawler has spent three decades documenting… — Jerry Saltz Copy Share Image
Imagine it's 1981. You're an artist, in love with art, smitten with art history. You're also a woman, with almost no mentors… — Jerry Saltz Copy Share Image
Rumors sound of galleries asking artists for up-sized art and more of it... Everything winds up set to maximum in order to… — Jerry Saltz Copy Share Image
Venice is the perfect place for a phase of art to die. No other city on earth embraces entropy quite like this… — Jerry Saltz Copy Share Image
Elizabeth Peyton, the artist known for tiny, dazzling portraits of radiant youth, is now painting tiny, dazzling portraits of radiant middle age. — Jerry Saltz Copy Share Image
To me, the building [of Museum of Arts and Design]now looks like a lovely jewel box, and the tiled façade reminds me… — Jerry Saltz Copy Share Image
The forties, seventies, and the nineties, when money was scarce, were great periods, when the art world retracted but it was also… — Jerry Saltz Copy Share Image
Few contemporary artists mined the space between the ordinary and the strange better than Orozco did. — Jerry Saltz Copy Share Image
Our culture now wonderfully, alchemically transforms images and history into artistic material. The possibilities seem endless and wide open. — Jerry Saltz Copy Share Image
Calling a young artist 'great' these days can give one the heebie-jeebies: The word has been denatured in the past decade. — Jerry Saltz Copy Share Image
Contrary to popular opinion, things don't go stale particularly fast in the art world. — Jerry Saltz Copy Share Image
John Baldessari, the 79-year-old conceptualist, has spent more than four decades making laconic, ironic conceptual art-about-art, both good and bad. — Jerry Saltz Copy Share Image
The last time money left the art world, intrepid types maxed out their credit cards and opened galleries, and a few of… — Jerry Saltz Copy Share Image
Wolfgang Tillman's stunning large-scale pictures, being shown for the first time, were so offhand I failed to see them as art. — Jerry Saltz Copy Share Image
Biennial culture is already almost irrelevant, because so many more people are providing so many better opportunities for artists to exhibit their… — Jerry Saltz Copy Share Image
Robert Rauschenberg was not a giant of American art; he was the giant. No American created so many aesthetic openings for so… — Jerry Saltz Copy Share Image
The art world is molting - some would say melting. Galleries are closing; museums are scaling back. — Jerry Saltz Copy Share Image
The Met is not only the finest encyclopedic museum of art in the United States; it is arguably the finest anywhere. — Jerry Saltz Copy Share Image
One argument goes that recessions are good for female artists because when money flies out the window, women are allowed in the house. The… — Jerry Saltz Copy Share Image
Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles him. Me… — Jerry Saltz Copy Share Image
The German ueber-photographer Andreas Gursky was the perfect pre-9/11 artist. — Jerry Saltz Copy Share Image
The debut show, “Second Lives: Remixing the Ordinary,” is supposed to be about how artists reuse humble or unusual materials. There’s good work here,… — Jerry Saltz Copy Share Image
While the space for artists and curators has increased enormously, maybe, just maybe, that's left room for too many people calling themselves artists and… — Jerry Saltz Copy Share Image
Those who love him love that he sells the most art; they take it as a point of faith that this proves Kinkade is… — Jerry Saltz Copy Share Image
'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and… — Jerry Saltz Copy Share Image
I love art dealers. In some ways, they're my favorite people in the art world. Really. I love that they put their money where… — Jerry Saltz Copy Share Image
My nominee for Best Picture of the year - maybe the best picture ever, because it's essentially made up of and is an ecstatic… — Jerry Saltz Copy Share Image
Many things happened in the sixties, but the period is no more significant, better, or more 'political' than today. It's time to turn the… — Jerry Saltz Copy Share Image
When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and reflect the… — Jerry Saltz Copy Share Image
Few contemporary artists mined the space between the ordinary and the strange better than Orozco did. — Jerry Saltz Copy Share Image