The meaning is in the content of the text and not in the typeface, and that is why we loved Helvetica very… — Wim Crouwel Copy Share Image
Someday I'll design a typeface without a K in it, and then let's see the bastards misspell my name. — Frederic Goudy Copy Share Image
Finding the perfect typeface is like finding true love, discouraging when you don't, sublime when you do. — Anonymous Copy Share Image
A great typeface is not a collection of beautiful letters, but a beautiful collection of letters. — Walter Tracy Copy Share Image
Berthold is still a good typeface, but even Berthold has some less than attractive features, and then I just cut them off… — Wolfgang Weingart Copy Share Image
I don't think that type should be expressive at all. I can write the word 'dog' with any typeface and it doesn't… — Massimo Vignelli Copy Share Image
“Released at the height of the “Web 2.0” era, Klavika has become a prototypical sans serif of the information age. This is… — Stephen Coles Copy Share Image
Helvetica was a real step from the 19th century typeface... We were impressed by that because it was more neutral, and neutralism… — Wim Crouwel Copy Share Image
“Ever since its release at the height of the DTP age, Adobe Caslon has been the “default” serif for many designers. In… — Stephen Coles Copy Share Image
Most people have no idea how much goes into designing a typeface. Twenty-six letters in the alphabet, usually with two versions of… — Michael Bierut Copy Share Image
“One of my colleagues is convinced that having a wide range of types to choose from is a complete waste of time.… — Anonymous Copy Share Image
“However, [Edmund G. Gress] wrote, " we must not simplify to such an extent that life and movement are gone. That is… — Steven Heller Copy Share Image
Certain kinds of typeface design and typographic design are designed to persuade: we can make this company look modern if we use… — Michael Bierut Copy Share Image
Each typeface is a piece of history, like a chip in a mosaic that depicts the development of human communication. Each typeface… — Will Burtin Copy Share Image
“Most people will likely encounter Ingeborg’s showy Display variants: the decorative fill and shadow of Block, and the buxom swashes of Fat… — Stephen Coles Copy Share Image
“Bell Centennial’s bizarre “4” and “M” are a perfect lesson in type made specifically for its intended medium. In this case, the… — Stephen Coles Copy Share Image
“From an innovative trio of Dutch, Finnish, and German designers comes a unique concept: a typeface with not one, but three italics.… — Stephen Coles Copy Share Image
“in many ways, Eric Gill’s typeface, a follower of Edward Johnston’s type for the London Underground, is an awkward mix of Geometric… — Stephen Coles Copy Share Image
“(found in Just My Type by Simon Garfield p. 19) If you don't get your type warm it will be no use… — William Addison Dwiggins Copy Share Image