Almost all institutions own a lot more art than they can ever show, much of it revealing for its timeliness, genius, or… — Jerry Saltz Copy Share Image
Many things happened in the sixties, but the period is no more significant, better, or more 'political' than today. It's time to… — Jerry Saltz Copy Share Image
John Baldessari, the 79-year-old conceptualist, has spent more than four decades making laconic, ironic conceptual art-about-art, both good and bad. — Jerry Saltz Copy Share Image
Biennial culture is already almost irrelevant, because so many more people are providing so many better opportunities for artists to exhibit their… — Jerry Saltz Copy Share Image
Of course art world ethics are important. But museums are no purer than any other institution or business. Academics aren't necessarily more… — Jerry Saltz Copy Share Image
Abstraction brings the world into more complex, variable relations; it can extract beauty, alternative topographies, ugliness, and intense actualities from seeming nothingness. — Jerry Saltz Copy Share Image
Many museums are drawing audiences with art that is ostensibly more entertaining than stuff that just sits and invites contemplation. Interactivity, gizmos,… — Jerry Saltz Copy Share Image
Many art-worlders have an if-you-say-so approach to art: Everyone is so scared of missing out on the next hot artist that it's… — Jerry Saltz Copy Share Image
I like something about George W. Bush. A lot. After spending more than a decade having almost physiological-chemical reactions anytime I saw… — Jerry Saltz Copy Share Image
One argument goes that recessions are good for female artists because when money flies out the window, women are allowed in the house. The… — Jerry Saltz Copy Share Image
Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles him. Me… — Jerry Saltz Copy Share Image
The German ueber-photographer Andreas Gursky was the perfect pre-9/11 artist. — Jerry Saltz Copy Share Image
The debut show, “Second Lives: Remixing the Ordinary,” is supposed to be about how artists reuse humble or unusual materials. There’s good work here,… — Jerry Saltz Copy Share Image
While the space for artists and curators has increased enormously, maybe, just maybe, that's left room for too many people calling themselves artists and… — Jerry Saltz Copy Share Image
Those who love him love that he sells the most art; they take it as a point of faith that this proves Kinkade is… — Jerry Saltz Copy Share Image
'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and… — Jerry Saltz Copy Share Image
I love art dealers. In some ways, they're my favorite people in the art world. Really. I love that they put their money where… — Jerry Saltz Copy Share Image
My nominee for Best Picture of the year - maybe the best picture ever, because it's essentially made up of and is an ecstatic… — Jerry Saltz Copy Share Image
Many things happened in the sixties, but the period is no more significant, better, or more 'political' than today. It's time to turn the… — Jerry Saltz Copy Share Image
When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and reflect the… — Jerry Saltz Copy Share Image
Few contemporary artists mined the space between the ordinary and the strange better than Orozco did. — Jerry Saltz Copy Share Image
