I don't know if one's more typecasting than the other, or what I am more like. But I know that the high… — Judd Nelson Copy Share Image
[In The Dark Backward ] someone who has writer's block and kills people in A Cabin By The Lake. I guess he's… — Judd Nelson Copy Share Image
I got to play Santa, too. It's really important to play Santa, you know. — Judd Nelson Copy Share Image
I think that there's room for everyone. I don't think that if one person succeeds then another must fail. That's lunacy. I'm… — Judd Nelson Copy Share Image
I was just in a few episodes the first season [ of Empire]. They didn't kill me, but I haven't been back… — Judd Nelson Copy Share Image
You know who was wonderful to work with? Was Paul Gleason, may he rest in peace. — Judd Nelson Copy Share Image
Paul Gleason played the teacher. I just tortured him as best I could. 'Cause he wasn't one of the kids, you know,… — Judd Nelson Copy Share Image
It was an audition process after Breakfast Club, and I wasn't really sure I wanted to do the movie. There was a… — Judd Nelson Copy Share Image
Breakfast Club was great because we had a real rehearsal, and we shot primarily in sequence. I thought that was going to… — Judd Nelson Copy Share Image
I worked with the late Leonard Frey. I did a play, and I would have these ideas and he would say, "I… — Judd Nelson Copy Share Image
Just because you’ve only been alive for fifteen years doesn’t mean you’re less anything except old. That’s all it means. It doesn’t… — Judd Nelson Copy Share Image
Voice-over stuff is so much fun because you don't have hair and makeup and wardrobe. You get to show up. And there… — Judd Nelson Copy Share Image
Stagecoach is really my first Western-Western, the whole horses and gunplay. It was really fun. We shot it fast, too. We got… — Judd Nelson Copy Share Image
You get the sense that [John] Hughes is so right about the way groups divide and then divide again and then sometimes… — Judd Nelson Copy Share Image
[St. Elmo's Fire] it was pretty soon after that. I know we didn't do Breakfast Club knowing we were going to do… — Judd Nelson Copy Share Image
Catcher in the Rye had a profound impact on me-the idea that we all have lots of dreams that are slowly being chipped away… — Judd Nelson Copy Share Image
[John Hurt] just really gifted, and I had a great time working with him and [am] very lucky to have worked with him. — Judd Nelson Copy Share Image
I enjoyed [playing lawyer in From The Hip] as an ode to my dad. My dad went to Harvard and Harvard Law School, so… — Judd Nelson Copy Share Image
You have to be so confident and so gifted to fill five minutes of nothing at the very beginning of a play before even… — Judd Nelson Copy Share Image
I don't know if it matters what country you're from, size of the city you're from, urban or rural, there are people that are… — Judd Nelson Copy Share Image
[John] Hughes was open to that [rehearsal]. This can only happen if the director and/or the writer are open to that. — Judd Nelson Copy Share Image
You have to kind of roll with the punches. That's why I think work begets work to a certain degree. I just try and… — Judd Nelson Copy Share Image
I don't know if one's more typecasting than the other, or what I am more like. But I know that the high school I… — Judd Nelson Copy Share Image
It's like they talk about how American actors have the method and English actors just kind of switch views faster. And John [Hurt] is… — Judd Nelson Copy Share Image
[In The Dark Backward ] someone who has writer's block and kills people in A Cabin By The Lake. I guess he's a type… — Judd Nelson Copy Share Image