[John] Hughes was open to that [rehearsal]. This can only happen if the director and/or the writer are open to that. — Judd Nelson Copy Share Image
I don't know if one's more typecasting than the other, or what I am more like. But I know that the high… — Judd Nelson Copy Share Image
We [ with Emilio Estevez] asked if we could take some things [ in Breakfast Club] that weren't in the shooting draft,… — Judd Nelson Copy Share Image
I think that there's room for everyone. I don't think that if one person succeeds then another must fail. That's lunacy. I'm… — Judd Nelson Copy Share Image
I was just in a few episodes the first season [ of Empire]. They didn't kill me, but I haven't been back… — Judd Nelson Copy Share Image
Part of the reason I thought that I might do a series is, my dad has pretty much been on the same… — Judd Nelson Copy Share Image
I went to acting school with Mario Van Peebles. For a little while, he was at the same school. So he asked… — Judd Nelson Copy Share Image
I still think Brooke Shields is aces. She's really smart, interesting, doesn't feel that her time is more valuable than anyone else's.… — Judd Nelson Copy Share Image
I think that sometimes you don't have the opportunities for some of the most A-list-type movies, big-budget movies. But I think it's… — Judd Nelson Copy Share Image
Though [John] Hughes did provide for us, if we wanted, to go to a local high school and try to blend in.… — Judd Nelson Copy Share Image
Stagecoach is really my first Western-Western, the whole horses and gunplay. It was really fun. We shot it fast, too. We got… — Judd Nelson Copy Share Image
Kim Coates is really funny. He's a blast. If you have to get beaten up and tortured, he's a good guy to… — Judd Nelson Copy Share Image
If you read a script enough, especially a good script - I try to read it 40 to 50 times before you… — Judd Nelson Copy Share Image
Catcher in the Rye had a profound impact on me-the idea that we all have lots of dreams that are slowly being chipped away… — Judd Nelson Copy Share Image
[John Hurt] just really gifted, and I had a great time working with him and [am] very lucky to have worked with him. — Judd Nelson Copy Share Image
I enjoyed [playing lawyer in From The Hip] as an ode to my dad. My dad went to Harvard and Harvard Law School, so… — Judd Nelson Copy Share Image
You have to be so confident and so gifted to fill five minutes of nothing at the very beginning of a play before even… — Judd Nelson Copy Share Image
I don't know if it matters what country you're from, size of the city you're from, urban or rural, there are people that are… — Judd Nelson Copy Share Image
[John] Hughes was open to that [rehearsal]. This can only happen if the director and/or the writer are open to that. — Judd Nelson Copy Share Image
You have to kind of roll with the punches. That's why I think work begets work to a certain degree. I just try and… — Judd Nelson Copy Share Image
I don't know if one's more typecasting than the other, or what I am more like. But I know that the high school I… — Judd Nelson Copy Share Image
It's like they talk about how American actors have the method and English actors just kind of switch views faster. And John [Hurt] is… — Judd Nelson Copy Share Image
[In The Dark Backward ] someone who has writer's block and kills people in A Cabin By The Lake. I guess he's a type… — Judd Nelson Copy Share Image