We [ with Emilio Estevez] asked if we could take some things [ in Breakfast Club] that weren't in the shooting draft,… — Judd Nelson Copy Share Image
I remember Emilio [Estevez] and I were at John's house during the rehearsal process. And John [Huges] had mentioned he wrote the… — Judd Nelson Copy Share Image
We worked six days a week [on the The Breakfast Club], so you have one day off. So on that Saturday night,… — Judd Nelson Copy Share Image
It was an audition process after Breakfast Club, and I wasn't really sure I wanted to do the movie. There was a… — Judd Nelson Copy Share Image
Breakfast Club was great because we had a real rehearsal, and we shot primarily in sequence. I thought that was going to… — Judd Nelson Copy Share Image
Breakfast Club was great because we had a real rehearsal, and we shot primarily in sequence. — Judd Nelson Copy Share Image
I think I was, like, 23 or something [on The Breakfast Club]. I was the oldest of the five. Emilio [Estevez] and… — Judd Nelson Copy Share Image
As they were building that library in that school's gym [in the Breakfast Club], they built a rehearsal space for us. It… — Judd Nelson Copy Share Image
[St. Elmo's Fire] it was pretty soon after that. I know we didn't do Breakfast Club knowing we were going to do… — Judd Nelson Copy Share Image
Catcher in the Rye had a profound impact on me-the idea that we all have lots of dreams that are slowly being chipped away… — Judd Nelson Copy Share Image
[John Hurt] just really gifted, and I had a great time working with him and [am] very lucky to have worked with him. — Judd Nelson Copy Share Image
I enjoyed [playing lawyer in From The Hip] as an ode to my dad. My dad went to Harvard and Harvard Law School, so… — Judd Nelson Copy Share Image
You have to be so confident and so gifted to fill five minutes of nothing at the very beginning of a play before even… — Judd Nelson Copy Share Image
I don't know if it matters what country you're from, size of the city you're from, urban or rural, there are people that are… — Judd Nelson Copy Share Image
[John] Hughes was open to that [rehearsal]. This can only happen if the director and/or the writer are open to that. — Judd Nelson Copy Share Image
You have to kind of roll with the punches. That's why I think work begets work to a certain degree. I just try and… — Judd Nelson Copy Share Image
I don't know if one's more typecasting than the other, or what I am more like. But I know that the high school I… — Judd Nelson Copy Share Image
It's like they talk about how American actors have the method and English actors just kind of switch views faster. And John [Hurt] is… — Judd Nelson Copy Share Image
[In The Dark Backward ] someone who has writer's block and kills people in A Cabin By The Lake. I guess he's a type… — Judd Nelson Copy Share Image