I always start a movie by being very firm and very hard and very, very serious, and then I can relax a… — Maryse Alberti Copy Share Image
One of my first films was Zebrahead. I remember the producer asking me, "Can you handle the big lights?" And I thought,… — Maryse Alberti Copy Share Image
Do a good job on a good film and you're on the map. Do a great job on a bad movie and… — Maryse Alberti Copy Share Image
As important as it is to learn the techniques of cinematography, you also have to learn how to deal with the movie set, with… — Maryse Alberti Copy Share Image
I have a 22-year-old son, and when my son was born I made a decision to raise him. My husband and I took turns… — Maryse Alberti Copy Share Image
Male crews know that women cinematographers are here to stay, and there will be more of us. If they're professionals, they behave as such. — Maryse Alberti Copy Share Image
I always start a movie by being very firm and very hard and very, very serious, and then I can relax a little more… — Maryse Alberti Copy Share Image
I think women have made progress in cinematography, contrary to women directors, who I think have regressed. There are many more women cinematographers than… — Maryse Alberti Copy Share Image
At the beginning of my career, I shot a lot more documentaries because I liked the adventure, and probably also because it was easier,… — Maryse Alberti Copy Share Image
One of my first films was Zebrahead. I remember the producer asking me, "Can you handle the big lights?" And I thought, Do I… — Maryse Alberti Copy Share Image
Do a good job on a good film and you're on the map. Do a great job on a bad movie and not very… — Maryse Alberti Copy Share Image
