““Svetlana said that she identified with that Madonna more than with any other woman in any other painting. She kept asking me what painting I identified with. I didn't identify with anyone in any paintings. I finally identified with a painting in the Picasso Museum. Titled Le Buffet de Vauvenargues, it showed a gigantic black sideboard [...] Svetlana said I had to take a more proactive view of my personhood. She said it wasn't okay to identify with furniture. Indeed, Sartre had illustrated "bad faith" using the analogy of thinking of oneself as a chair -- quite specifically, a chair. Objective claims could be made about a chair, but not about a person, because a person was in constant flux. I said the buffet was also in flux.””
