Technology has a great deal to do with it. The Panaflex camera was a big breakthrough when it came along; it changed… — Vilmos Zsigmond Backseat Copy Share Image
I love to make movies about young people - young scientists that are inventing things and all the writing they did was… — Vilmos Zsigmond Inventing Copy Share Image
Even in manipulating the images, I would like to do my dailies in a digital way because you can do so many… — Vilmos Zsigmond Can do Copy Share Image
I'm always looking in the lighting to tell the story in a different way than it actually looks in real life because… — Vilmos Zsigmond Contrast Copy Share Image
These days that wouldn't happen - waiting for the light to be exactly right. Because it takes time and time is money.… — Vilmos Zsigmond Actors Copy Share Image
When I first came to America there still was Look Magazine and LIFE Magazine, and the photography in those magazines was amazing… — Vilmos Zsigmond America Copy Share Image
In fact, I probably learned more about photography from studying black-and-white photography in those magazines [Look Magazine and LIFE Magazine] than I… — Vilmos Zsigmond Black Copy Share Image
Kubrick was one of those directors who actually did practically everything in his movies. He actually directed, photographed, wrote, lit, edited -… — Vilmos Zsigmond Cinema Copy Share Image
You always like to be the collaborator. I don't want to take over the movie, because if I want to do that,… — Vilmos Zsigmond Cinema Copy Share Image
Jack [Nicholson] really knows about the camera. He's one of the directors who likes to play with the camera. He'll change things… — Vilmos Zsigmond Aspect Copy Share Image
I was really fortunate from the time I arrived in Hollywood to work with some of the greatest directors from the beginning.… — Vilmos Zsigmond Brian Copy Share Image
I think all cinematographers, at least most of them, would love to do everything on location because you cannot cheat on location.… — Vilmos Zsigmond Cheat Copy Share Image
If you need to strap a camera to you or get in a small space, then it makes sense to use digital.I… — Vilmos Zsigmond Be good Copy Share Image
In a period piece, particularly a fantasy, the lighting is your own choice, the lenses are your own choice. It's really a… — Vilmos Zsigmond Choices Copy Share Image
In Slumdog Millionaire when you are immersed in the point of view of children in the slum and the bustle of the… — Vilmos Zsigmond Bustle Copy Share Image
I think film is about images. Cinema needs good images. I think that if you don’t have good images, it’s not going… — Vilmos Zsigmond Cinema Copy Share Image
Each story has a different approach for me and I try to work with lighting that will tell you visually the story… — Vilmos Zsigmond Approach Copy Share Image
What I would suggest to the young people is to not forget this and don't try to get assimilated into today's Hollywood… — Vilmos Zsigmond Forget Copy Share Image
There are a lot of directors out there that don't like to deal with actors, I think. Many of them have said… — Vilmos Zsigmond Actors Copy Share Image
If you do not bother to take the time to compose and to light properly, then you end up with something almost… — Vilmos Zsigmond Art Copy Share Image
You make a film for a million dollars and then it costs $10 million to sell it. That's the problem at the… — Vilmos Zsigmond Cinema Copy Share Image
I'm not really satisfied with the technology today. Using film was so much easier than the digital technology of today. But digital… — Vilmos Zsigmond Cinema Copy Share Image
I like the film camera better because the film is still one hundred times better than any digital image at the moment.… — Vilmos Zsigmond Cameras Copy Share Image
I like to work with talented people, I must say that. That's my weakness. I really like to work with good directors.… — Vilmos Zsigmond Directors Copy Share Image
I always try to tell the story the best possible way. I create the mood for each scene in a way that… — Vilmos Zsigmond Audience Copy Share Image
There are, of course, many, many, many good cinematographers and unfortunately they don't work as much as many of those people who… — Vilmos Zsigmond Cinematographers Copy Share Image
With television, it's difficult to do some things. You have to shoot so many minutes a day, so you always have to… — Vilmos Zsigmond Able Copy Share Image
The studios are never going to make $200 million a picture with those types of movies. It's not familiar to them, and… — Vilmos Zsigmond Familiar Copy Share Image
I had never met Woody Allen before Melinda and Melinda. My agent knew the producer of the movie and he suggested that… — Vilmos Zsigmond Agents Copy Share Image
I think that the audience should not be able to tell if it is real or not real - it should be… — Vilmos Zsigmond Able Copy Share Image
Hayden [Sterling] told me that he was thrilled about the way he moved around the set, that wherever he would go, there… — Vilmos Zsigmond Lighting Copy Share Image
When we came to America, the movies here needed a "new wave." European films looked totally different than American movies, which were… — Vilmos Zsigmond America Copy Share Image
I shot a lot of commercials and sometimes I enjoy the commercial shooting and sometimes I really hate it, but in thirty… — Vilmos Zsigmond Enjoy Copy Share Image