Each story has a different approach for me and I try to work with lighting that will tell you visually the story… — Vilmos Zsigmond Copy Share Image
European films had art. And it was easy to make a European film. They didn't come from the studio system, they weren't… — Vilmos Zsigmond Copy Share Image
I don't think there is any advantage to digital unless it's in a case like Slumdog Millionaire, where you have to get… — Vilmos Zsigmond Copy Share Image
Telling the story with only a few shots, I love that style. It makes you feel like you're part of the action,… — Vilmos Zsigmond Copy Share Image
Jack [Nicholson] really knows about the camera. He's one of the directors who likes to play with the camera. He'll change things… — Vilmos Zsigmond Copy Share Image
These days that wouldn't happen - waiting for the light to be exactly right. Because it takes time and time is money.… — Vilmos Zsigmond Copy Share Image
If you need to strap a camera to you or get in a small space, then it makes sense to use digital.I… — Vilmos Zsigmond Copy Share Image
We used hand-held cameras 50 years ago. It wasn't something new. Sometimes we used a tripod, or we'd have a tracking shot,… — Vilmos Zsigmond Copy Share Image
I shot a lot of commercials and sometimes I enjoy the commercial shooting and sometimes I really hate it, but in thirty… — Vilmos Zsigmond Copy Share Image
There is a difference between creating something and just capturing something. And when we were using film, it was not that fast,… — Vilmos Zsigmond Copy Share Image
When I was in Hungary in December I was looking at student films and I could not tell which ones were shot… — Vilmos Zsigmond Copy Share Image
Sometimes the shots serve as homages to other movies and other directors, like Hitchcock. — Vilmos Zsigmond Copy Share Image
I think all cinematographers, at least most of them, would love to do everything on location because you cannot cheat on location.… — Vilmos Zsigmond Copy Share Image
I look at a picture like Scarecrow and think, 'Jesus, how could they have let us make that?' I mean, if you used technology… — Vilmos Zsigmond Copy Share Image
I hope that film is going to stay as an artform and that people won't forget that there are good movies also to be… — Vilmos Zsigmond Copy Share Image
I like to say that lighting is about taking the light away. I often like to use the shadows more than the light. — Vilmos Zsigmond Copy Share Image
I am actually retired - yes, I am retired. But I like to work. So I'm retired until someone calls me up to work. — Vilmos Zsigmond Copy Share Image
I'm always looking in the lighting to tell the story in a different way than it actually looks in real life because it's, for… — Vilmos Zsigmond Copy Share Image
With television, it's difficult to do some things. You have to shoot so many minutes a day, so you always have to be prepared… — Vilmos Zsigmond Copy Share Image
I think that the audience should not be able to tell if it is real or not real - it should be an enhanced… — Vilmos Zsigmond Copy Share Image
I'm always looking for directors who are very strong, they have great ideas, but on the other hand, that need help. It means they… — Vilmos Zsigmond Copy Share Image
Each story has a different approach for me and I try to work with lighting that will tell you visually the story better than… — Vilmos Zsigmond Copy Share Image
It's all about special effects and explosions now. It leaves me just cold when I walk out of the theater. There's no heart; there's… — Vilmos Zsigmond Copy Share Image
I encourage film students who are interested in cinematography to study sculpture, paintings, music, writing and other arts. Filmmaking consists of all the arts… — Vilmos Zsigmond Copy Share Image
In a period piece, particularly a fantasy, the lighting is your own choice, the lenses are your own choice. It's really a great thing… — Vilmos Zsigmond Copy Share Image
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