I think that film is still an artform and it doesn't really matter if you're using a digital camera or a film… — Vilmos Zsigmond Copy Share Image
A good [film] director is talented, imaginative, and does his homework. — Vilmos Zsigmond Copy Share Image
If you use hand-held techniques just to make the film stylish I think it's wrong. — Vilmos Zsigmond Copy Share Image
I hope that film is going to stay as an artform and that people won't forget that there are good movies also… — Vilmos Zsigmond Copy Share Image
There are many, many different kinds of movies and directors and styles. I don't mind that a movie looks like a movie. — Vilmos Zsigmond Copy Share Image
I should mention Vittorio Storaro, who was Bernardo Bertolucci's cinematographer. You watch those films and they are exceptional. — Vilmos Zsigmond Copy Share Image
I think too many film students in America are losing the artistry and not learning lighting the right way. — Vilmos Zsigmond Copy Share Image
Some movies are what I would call murky. Just because it's murky doesn't make it artistic. It makes it hard to see. — Vilmos Zsigmond Copy Share Image
I like to work with talented people, I must say that. That's my weakness. I really like to work with good directors.… — Vilmos Zsigmond Copy Share Image
When we came to America, the movies here needed a "new wave." European films looked totally different than American movies, which were… — Vilmos Zsigmond Copy Share Image
I had never met Woody Allen before Melinda and Melinda. My agent knew the producer of the movie and he suggested that… — Vilmos Zsigmond Copy Share Image
The studios are never going to make $200 million a picture with those types of movies. It's not familiar to them, and… — Vilmos Zsigmond Copy Share Image
I think film is about images. Cinema needs good images. I think that if you don’t have good images, it’s not going… — Vilmos Zsigmond Copy Share Image
I'm not really satisfied with the technology today. Using film was so much easier than the digital technology of today. But digital… — Vilmos Zsigmond Copy Share Image
I like the film camera better because the film is still one hundred times better than any digital image at the moment.… — Vilmos Zsigmond Copy Share Image
There are a lot of directors out there that don't like to deal with actors, I think. Many of them have said… — Vilmos Zsigmond Copy Share Image
If you need to strap a camera to you or get in a small space, then it makes sense to use digital.I… — Vilmos Zsigmond Copy Share Image
It's all about special effects and explosions now. It leaves me just cold when I walk out of the theater. There's no… — Vilmos Zsigmond Copy Share Image
You always like to be the collaborator. I don't want to take over the movie, because if I want to do that,… — Vilmos Zsigmond Copy Share Image
Jack [Nicholson] really knows about the camera. He's one of the directors who likes to play with the camera. He'll change things… — Vilmos Zsigmond Copy Share Image
European films had art. And it was easy to make a European film. They didn't come from the studio system, they weren't… — Vilmos Zsigmond Copy Share Image
I encourage film students who are interested in cinematography to study sculpture, paintings, music, writing and other arts. Filmmaking consists of all… — Vilmos Zsigmond Copy Share Image
There is a difference between creating something and just capturing something. And when we were using film, it was not that fast,… — Vilmos Zsigmond Copy Share Image
Using film was so much easier than the digital technology of today. But digital is still at the beginning of what it… — Vilmos Zsigmond Copy Share Image
You make a film for a million dollars and then it costs $10 million to sell it. That's the problem at the… — Vilmos Zsigmond Copy Share Image
I don't think there is any advantage to digital unless it's in a case like Slumdog Millionaire, where you have to get… — Vilmos Zsigmond Copy Share Image
When I was in Hungary in December I was looking at student films and I could not tell which ones were shot… — Vilmos Zsigmond Copy Share Image
Spielberg was very young and starting up when we did Sugarland Express and I loved that, but the main thing was that… — Vilmos Zsigmond Copy Share Image
There is something missing in a lot of digital filmmaking, something I call "poetic reality." That's something you see played out in… — Vilmos Zsigmond Copy Share Image
Mexican cinematographers Gabriel Figueroa and Emilio Fernandez were students of both Sergei Eisenstein and Toland. Their exteriors and lighting were gorgeous. And… — Vilmos Zsigmond Copy Share Image
As the cinematographer is usually more visual than the director is and full cooperation is really the answer and to make a… — Vilmos Zsigmond Copy Share Image
Telling the story with only a few shots, I love that style. It makes you feel like you're part of the action,… — Vilmos Zsigmond Copy Share Image
I'm always looking for directors who are very strong, they have great ideas, but on the other hand, that need help. It… — Vilmos Zsigmond Copy Share Image
When you are shooting a movie, you have to collaborate with many, many, many people. First of all, the director with all… — Vilmos Zsigmond Copy Share Image
I love Woody Allen. He's very clever, always thinking, and he's great with actors. He lets actors do what they want to… — Vilmos Zsigmond Copy Share Image
I look at a picture like Scarecrow and think, 'Jesus, how could they have let us make that?' I mean, if you used technology… — Vilmos Zsigmond Copy Share Image
I hope that film is going to stay as an artform and that people won't forget that there are good movies also to be… — Vilmos Zsigmond Copy Share Image
I like to say that lighting is about taking the light away. I often like to use the shadows more than the light. — Vilmos Zsigmond Copy Share Image
I am actually retired - yes, I am retired. But I like to work. So I'm retired until someone calls me up to work. — Vilmos Zsigmond Copy Share Image
I'm always looking in the lighting to tell the story in a different way than it actually looks in real life because it's, for… — Vilmos Zsigmond Copy Share Image
With television, it's difficult to do some things. You have to shoot so many minutes a day, so you always have to be prepared… — Vilmos Zsigmond Copy Share Image
I think that the audience should not be able to tell if it is real or not real - it should be an enhanced… — Vilmos Zsigmond Copy Share Image
I'm always looking for directors who are very strong, they have great ideas, but on the other hand, that need help. It means they… — Vilmos Zsigmond Copy Share Image
Each story has a different approach for me and I try to work with lighting that will tell you visually the story better than… — Vilmos Zsigmond Copy Share Image
It's all about special effects and explosions now. It leaves me just cold when I walk out of the theater. There's no heart; there's… — Vilmos Zsigmond Copy Share Image
I encourage film students who are interested in cinematography to study sculpture, paintings, music, writing and other arts. Filmmaking consists of all the arts… — Vilmos Zsigmond Copy Share Image
In a period piece, particularly a fantasy, the lighting is your own choice, the lenses are your own choice. It's really a great thing… — Vilmos Zsigmond Copy Share Image
![“A good [film] director is talented, imaginative, and does his homework.” quote by Vilmos Zsigmond](https://sms4smile.com/quotes/img-quotes/1a0/vilmos-zsigmond-9377_cinema_a-good-film-director-is-talented-imagina_1500100.jpg)
![“Jack [Nicholson] really knows about the camera. He's one of the directors who likes to play with the camera. He'll change things around, play with lighting, things like that. He'll even spend hours on the set-up for an insert shot. He's an interested person who gets involved in all the aspects of…” quote by Vilmos Zsigmond](https://sms4smile.com/quotes/img-quotes/865/vilmos-zsigmond-9377_aspect_jack-nicholson-really-knows-about-the-ca_935339.jpg)
