I like to say that lighting is about taking the light away. I often like to use the shadows more than the… — Vilmos Zsigmond Copy Share Image
I'm always looking in the lighting to tell the story in a different way than it actually looks in real life because… — Vilmos Zsigmond Copy Share Image
Each story has a different approach for me and I try to work with lighting that will tell you visually the story… — Vilmos Zsigmond Copy Share Image
In a period piece, particularly a fantasy, the lighting is your own choice, the lenses are your own choice. It's really a… — Vilmos Zsigmond Copy Share Image
Jack [Nicholson] really knows about the camera. He's one of the directors who likes to play with the camera. He'll change things… — Vilmos Zsigmond Copy Share Image
Mexican cinematographers Gabriel Figueroa and Emilio Fernandez were students of both Sergei Eisenstein and Toland. Their exteriors and lighting were gorgeous. And… — Vilmos Zsigmond Copy Share Image
I think too many film students in America are losing the artistry and not learning lighting the right way. — Vilmos Zsigmond Copy Share Image
Hayden [Sterling] told me that he was thrilled about the way he moved around the set, that wherever he would go, there… — Vilmos Zsigmond Copy Share Image
The best way to know when there's good lighting is when you don't notice it. — Vilmos Zsigmond Copy Share Image
I look at a picture like Scarecrow and think, 'Jesus, how could they have let us make that?' I mean, if you used technology… — Vilmos Zsigmond Copy Share Image
I hope that film is going to stay as an artform and that people won't forget that there are good movies also to be… — Vilmos Zsigmond Copy Share Image
I like to say that lighting is about taking the light away. I often like to use the shadows more than the light. — Vilmos Zsigmond Copy Share Image
I am actually retired - yes, I am retired. But I like to work. So I'm retired until someone calls me up to work. — Vilmos Zsigmond Copy Share Image
I'm always looking in the lighting to tell the story in a different way than it actually looks in real life because it's, for… — Vilmos Zsigmond Copy Share Image
With television, it's difficult to do some things. You have to shoot so many minutes a day, so you always have to be prepared… — Vilmos Zsigmond Copy Share Image
I think that the audience should not be able to tell if it is real or not real - it should be an enhanced… — Vilmos Zsigmond Copy Share Image
I'm always looking for directors who are very strong, they have great ideas, but on the other hand, that need help. It means they… — Vilmos Zsigmond Copy Share Image
Each story has a different approach for me and I try to work with lighting that will tell you visually the story better than… — Vilmos Zsigmond Copy Share Image
It's all about special effects and explosions now. It leaves me just cold when I walk out of the theater. There's no heart; there's… — Vilmos Zsigmond Copy Share Image
I encourage film students who are interested in cinematography to study sculpture, paintings, music, writing and other arts. Filmmaking consists of all the arts… — Vilmos Zsigmond Copy Share Image
In a period piece, particularly a fantasy, the lighting is your own choice, the lenses are your own choice. It's really a great thing… — Vilmos Zsigmond Copy Share Image