Galadriel is driven by a sense of justice, if not a sense of revenge. — Bear McCreary Driven Copy Share Image
I understand fans being hesitant to embrace 'The Rings of Power.' — Bear McCreary Being Copy Share Image
Sometimes I find bringing in my old ideas is just detrimental. — Bear McCreary Detrimental Copy Share Image
There are certain things I've always wanted to hear vido game scores do. — Bear McCreary Always Copy Share Image
I feel like the score is a chance for an artist to exercise their voice and augment a film. — Bear McCreary Art Copy Share Image
I mean what I love more than anything is Jerry Goldsmith's 80s music and Bernard Herrmann's genre music from the 50s and… — Bear McCreary Anything Copy Share Image
The showrunner relationship in television is what the director relationship in film, there's really no more important relationship. — Bear McCreary Cinema Copy Share Image
I'm constantly juggling different projects. If they were all the same thing, it'd be really hard. — Bear McCreary Hard Copy Share Image
If I were doing five cop shows, I'd probably start struggling to find an identity for each one and struggling to find… — Bear McCreary Cop Copy Share Image
I mean, 'Battlestar' was - it doesn't sound it now, but then, that was not how you scored sci-fi space operas on… — Bear McCreary Mean Copy Share Image
I didn't become a TV and film composer because I wanted to play sold-out rock concerts, but that's what's ended up happening.… — Bear McCreary Film Copy Share Image
I'm not a good enough musician to like completely master something in a couple of days and turn it around. — Bear McCreary Couple Copy Share Image
Both the composer and the filmmaker have to let go of their preconceived notions and listen to the film... When you do… — Bear McCreary Film Copy Share Image
I find reading books about music is sometimes tricky, because you can't hear it. But when you read a book about filmmaking,… — Bear McCreary Book Copy Share Image
When I was 16 years old, I had a chance meeting in Bellingham, Washington, of all places on planet Earth, with the… — Bear McCreary Chance Copy Share Image
The great thing about scoring sci-fi shows is that you basically get to make up the rules, because you're creating a self-contained… — Bear McCreary Great Copy Share Image
I mean, I think everybody has fond memories of 'Masters of the Universe.' It was just one of the things in the… — Bear McCreary Born Copy Share Image
I love the old 'God of War' games, but I would not describe them as emotionally dynamic. It's cool, it's loud, but… — Bear McCreary Cool Copy Share Image
I have been very fortunate in that I'm not doing all network shows or all cable shows, television has really become a… — Bear McCreary Cables Copy Share Image
I was growing up at a time when you just couldn't go to the movies without hearing immortal film music. And I… — Bear McCreary Film music Copy Share Image
When you hit a string or a piece of metal or anything that vibrates, you hear the fundamental pitch that the thing… — Bear McCreary Anything Copy Share Image
After 'Eureka' and 'Terminator: The Sarah Connor Chronicles,' I was like 'the scifi guy.' — Bear McCreary After Copy Share Image
Sometimes the entire tone of an episode can be reshaped in directing or editing or acting. — Bear McCreary Acting Copy Share Image
If I switch showrunners and I get to stay on the show, I approach it like it's their show, and I'm here… — Bear McCreary Approach Copy Share Image
Close Encounters' really showed the world what can be accomplished when a filmmaker and composer are cooperating closely. — Bear McCreary Close Copy Share Image
To me, the bar for television music is forever set by Shirley Walker's score for 'Batman: The Animated Series.' — Bear McCreary Bar Copy Share Image
Umm, it can be a challenge when you're jumping from genre to genre. However, I find that genre hopping is actually very… — Bear McCreary Find Copy Share Image
Battlestar' could sound like whatever I wanted it to sound like, because in the science fiction environment, there are no rules. — Bear McCreary Rules Copy Share Image
In 'Battlestar Galactica,' at the beginning of my career, I explored middle Eastern and Japanese percussion that got pulled into the score. — Bear McCreary Battlestar galactica Copy Share Image
I mean, if anything, 'Dark Void' is the bridge between 'Battlestar' and 'Human Target.' — Bear McCreary Bridge Copy Share Image
I think the thing that music can do is be unsettling. It is abnormal - music that's perceived to be different in… — Bear McCreary Abnormal Copy Share Image
I approach everything from the same perspective which is character and story, which then influence the musical style. — Bear McCreary Approach Copy Share Image
Yes, there have been musicians on both sides of my family going back several generations. — Bear McCreary Back Copy Share Image
A lot of European folk music has this interesting, intriguing quality, a whole new harmonic way of thinking. — Bear McCreary Folk music Copy Share Image
I don't view the web as any other secondary medium to television or film - I just think it's another avenue. — Bear McCreary Film Copy Share Image
The theme is the most essential component of a new series and I spend a lot of time developing it. — Bear McCreary Developing Copy Share Image
