In 'Silence,' there was no improvisation at all; really, you're dealing with a script and a 17th century way of speaking. — Thelma Schoonmaker Copy Share Image
When you're a film-maker, sometimes you have to be a slave to continuity. — Thelma Schoonmaker Copy Share Image
'Raging Bull' was just a dream to work on, but it took a lot of work to get all those fights to work right… — Thelma Schoonmaker Copy Share Image
Film, if properly cared for, will last almost 100 years, but digital will not. — Thelma Schoonmaker Copy Share Image
My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones. — Thelma Schoonmaker Copy Share Image
People expect artists to be too normal, I think. I've been around enough of them now to see that they're very extraordinary human beings… — Thelma Schoonmaker Copy Share Image
Throwing things out is one of the most difficult and important things you ever have to do. — Thelma Schoonmaker Copy Share Image
That's the great thing about filmmaking: Things happen you don't know are going to happen at the end. — Thelma Schoonmaker Copy Share Image
One day, I read an extremely vague ad looking for someone interested in working in film. Seeing as I loved watching films, I replied,… — Thelma Schoonmaker Copy Share Image
Even though my parents are American, I spent my whole childhood and adolescence abroad. — Thelma Schoonmaker Copy Share Image
When you're in a movie with an audience, you can feel where a film is dragging. People start to move. They fidget. You need… — Thelma Schoonmaker Copy Share Image
In the very beginning, women were editors because they were the people in the lab rolling the film before there was editing. Then when… — Thelma Schoonmaker Copy Share Image
Michael's Powell art director was a painter and they had a wonderful friendship and artistic understanding. Michael himself, in the way he designed his… — Thelma Schoonmaker Copy Share Image
